New Music Reviews
Album: Laura Groves - Radio RedThursday, 10 August 2023
“Sky at Night” begins Radio Red. Its brooding atmosphere is shared with Saint Etienne’s “Hobart Paving.” Also, a sinuous sense of melody is at one with Todd Rundgren’s finest ballads. Melodic filigrees suggest Laura Nyro or Brighton band The Mummers. It’s some album opener. Read more... |
Music Reissues Weekly: Klar!80 - celebrating Düsseldorf’s early Eighties undergroundSunday, 06 August 2023
Düsseldorf’s most famous band is Kraftwerk. Neu!, La Düsseldorf, and, a little later, D.A.F also helped mark-out the west German city as the home of musical boundary pushers – folks doing their own thing. Fellow Düsseldorf residents Die Toten Hosen took a different musical tack, but were as individualistic as those lumped in with Krautrock or kosmiche music. And where there’s the known, there’s also the unknown. Read more... |
WOMAD Festival 2023 review - the party for the whole World spreads good vibes and almost escapes Soggy JulyWednesday, 02 August 2023
theartsdesk team arrived at the WOMAD site with a degree of trepidation this year. Coming at the end of one of the wettest Julys in recent memory and the day after a serious deluge, was it going to be another Womud? Read more... |
Judy Collins, Cambridge Folk Festival review - celebrating a seminal Sixties' albumMonday, 31 July 2023
It’s 15 years since Judy Collins last stepped out at the Cambridge Folk Festival. She was a mere 68 then and, in the time since, little has changed except her hair, the famous rock-star mane lopped so that she now resembles the cover of those classic early Sixties’ albums. Read more... |
Album: Maria Wilman - Dark HorseMonday, 31 July 2023
Although Dark Horse is Maria Wilman’s first album, it feels as though it’s the latest entry in a string of releases. The songs are fully formed. The delivery is assured. The overall character of what’s heard is cohesive, suggesting the person who recorded these 12 tracks draws from previous experiences with framing what they want to express, and how it should be expressed. But there it is, Dark Horse is a debut. Read more... |
Music Reissues Weekly: Glenda Collins, Heinz, David John & The Mood - the latest treasures from Joe Meek's Tea Chest TapesSunday, 30 July 2023
Restraint wasn’t the watchword. Around March 1965, Heinz was in Joe Meek’s North London recording studio taping “Big Fat Spider,” which became the B-side of his April single version of “Don’t Think Twice it’s Alright.” A run-through which didn’t end up on the record found guitarist Richie Blackmore tossing off blistering lead runs so frenzied, so spikey, so wayward they might – had the track been issued – have caused radio producers to check whether the single had a pressing fault. Read more... |
Julie Byrne, Juni Habel, Kings Place review - finely tuned evening balancing dark with lightThursday, 27 July 2023
It’s probably an unconscious action. Sat on a stage-centre chair, Julie Byrne sings. The two acoustic guitars she plays for about half the set are beside her, on their racks. One hand is above the other, palms down. Each moves side-to-side in a chopping motion. It’s not simultaneous with the song’s rhythm and independent of the meter of the lines. It’s not obvious what's being complemented or ticked off, but it must draw from something concealed by the exterior. Read more... |
Bluedot Festival 2023 review - monsoon weather can't defeat the music'n'science extravaganzaWednesday, 26 July 2023
“This wasn’t the day to wear white suede boots,” says Django Django’s singer Vincent Neff, midway through the band’s Friday evening set. He’s not kidding. Read more... |
Album: Susanna - Baudelaire & OrchestraMonday, 24 July 2023
After his death in 1867, it didn’t take long for Charles Baudelaire’s poems to be set to music. Composer Henri Duparc did so in 1870, but Claude Debussy’s late 1880s framing of five of the Symbolist pioneer’s verses confirmed this as more than a one-off fascination for the musical world. Read more... |
Music Reissues Weekly: Autonomy - The Productions of Martin RushentSunday, 23 July 2023
Two producers named Martin worked with Buzzcocks and Joy Division. Martin Hannett was in the studio for Buzzcocks’ debut release, the Spiral Scratch EP, issued in January 1977, and also for the bulk of the tracks spread across their last three United Artists singles in 1980. He also shaped every studio recording Joy Division made for Factory Records. Read more... |
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