thu 30/06/2022

Miranda Heggie

Articles By Miranda Heggie

La bohème, Glyndebourne review - a masterpiece in monochrome

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Le nozze di Figaro, Glyndebourne review - fabulous singing and a classy production

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CBSO Musicians, Hockley Social Club, Birmingham review - creative coalescence of music and dining

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Wallen, Filthy Lucre, Rich Mix review - classical music meets club night

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Blue Rose Code, Kitchen Garden Cafe, Birmingham review - stand out folk in a cosy, quirky venue

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Nu Civilisation Orchestra, What's Going On, Birmingham Town Hall review - bringing a masterpiece to life

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Black Pumas, O2 Institute, Birmingham review - bluesy grooves with high octane energy

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CBSO Quartet, Hockley Social Club, Birmingham review - unveiling of innovative new partnership

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Karine Polwart, Birmingham Town Hall Review: Expertly crafted modern folk

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Blade Runner, Avex Ensemble, Symphony Hall, Birmingham review - synths synced to screen

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Edinburgh International Festival 2021: Anna Meredith

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Elisabeth Leonskaja / Goldmund Quartet, Edinburgh International Festival review - established and emerging stars shine bright

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Edinburgh International Festival 2021: traditional music round-up review

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Baker, Chineke! Orchestra, Eddins, Edinburgh International Festival review - women's stories told by women

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Echo Vocal Ensemble, Midlands Arts Centre review - fresh and fun approach to choral singing

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theartsdesk at the Ryedale Festival 2021 - music returns to the moors

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Man Vs Bee, Netflix review - or should it be Bee Vs Bean?

Rowan Atkinson’s strange little comedy (written by Will Davies) is the story of Trevor Bingley, a rather pitiable late-middle-aged man who finds a...

Album: Gwenno - Tresor

“The historic, the prehistoric, the natural, architectural, geological, ornithological, or on the side of its folklore, Christian or heathen – the...

The Fellowship, Hampstead Theatre review - strong clashes, t...

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the...

Moon, 66 Questions review - captivating daughter-father dram...

It takes some confidence for a first-time feature director to interrupt her essentially realistic...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Do...

Stanislav Aseyev is a Ukrainian writer who came in from the...

We (Nous) review - a low-key look at life in the suburbs of...

Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of...

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...

Album: Paolo Nutini - Last Night in the Bittersweet

The last time that Paolo Nutini was on the public stage, he was knocking out fine blue-eyed soul and having substantial hits like “Scream (Funk my...

The Rolling Stones, BST Hyde Park review - let it rock!

A few spots of rain greeted the arrival of the...