mon 20/10/2025

Miranda Heggie

Articles By Miranda Heggie

Edinburgh Psych Fest 2025 review - eclectic and experimental

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Hidden Door Festival 2025 review - the transformative Edinburgh event's most site-specific festival yet

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Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinburgh review - potted Ring and deep dive into history

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Nakariakov, SCO, Emelyanychev, Queen's Hall, Edinburgh review - a frenzied feast of contemporary classics

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Celtic Connections: Orchestral Qawwali Project, GRIT Orchestra review - two concerts showcasing the cross-genre power of an orchestra

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Albert Herring, Scottish Opera review - fun, frivolity, and fine music-making

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Fire in my mouth, Philharmonia, NYCOS, Alsop, Edinburgh International Festival 2024 review - total work of art for our times

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Oedipus Rex, Scottish Opera, Edinburgh International Festival 2024 review - beautifully uncomplex

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La Pasión según San Marcos / Carmen, Opéra Comique, Edinburgh International Festival 2024 review - united in story and song

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Future Islands, Summer Nights at the Bandstand, Kelvingrove Park, Glasgow review - soulful and synth-driven sounds

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Hidden Door 10th Birthday Party, St James Quarter, Edinburgh review - going underground

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Mitski, Usher Hall, Edinburgh review - cool and quirky, yet deeply personal

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Scottish Ensemble, Glasgow Royal Concert Hall New Auditorium review - making a move

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Marx in London, Scottish Opera review - the humour of history made manifest

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Ablogin, SCO, Emelyanychev, City Halls, Glasgow review - a happy 50th birthday

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Young Fathers, Usher Hall, Edinburgh review - powerful set from a band who keep pushing boundaries

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Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

The Lemonheads' 'Love Chant' is a fine return...

The Lemonheads were one of the original punk-pop outfits and have been an on-off going concern for 40 years. However, singer, guitarist,...

Anja Mittermüller, Richard Fu, Wigmore Hall review - a glori...

Helping to build the careers of superb young singers is what Wigmore Hall has done for decades: I still remember Olaf Bär’s debut in the hall...

Music Reissues Weekly: Evie Sands - I Can’t Let Go

Over 1965 to 1968 Brooklyn's Evie Sands issued a string of singles with classic top sides. Amongst them were “Take Me For a Little While,” “I Can'...