tue 23/07/2024

Miranda Heggie

Articles By Miranda Heggie

Other Voices Cardigan review - a celebration of music on the cusp

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Ainadamar, Scottish Opera/Opera Ventures review - worlds collide in fiery fusion

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La bohème, Glyndebourne review - a masterpiece in monochrome

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Le nozze di Figaro, Glyndebourne review - fabulous singing and a classy production

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CBSO Musicians, Hockley Social Club, Birmingham review - creative coalescence of music and dining

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Wallen, Filthy Lucre, Rich Mix review - classical music meets club night

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Blue Rose Code, Kitchen Garden Cafe, Birmingham review - stand out folk in a cosy, quirky venue

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Nu Civilisation Orchestra, What's Going On, Birmingham Town Hall review - bringing a masterpiece to life

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Black Pumas, O2 Institute, Birmingham review - bluesy grooves with high octane energy

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CBSO Quartet, Hockley Social Club, Birmingham review - unveiling of innovative new partnership

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Karine Polwart, Birmingham Town Hall Review: Expertly crafted modern folk

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Blade Runner, Avex Ensemble, Symphony Hall, Birmingham review - synths synced to screen

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Edinburgh International Festival 2021: Anna Meredith

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Elisabeth Leonskaja / Goldmund Quartet, Edinburgh International Festival review - established and emerging stars shine bright

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Edinburgh International Festival 2021: traditional music round-up review

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Baker, Chineke! Orchestra, Eddins, Edinburgh International Festival review - women's stories told by women

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Prom 5, BBC National Orchestra of Wales, Bancroft review – a...

This looked like a classic Prom in the grand old BBC tradition: two big but lesser-known pieces by pivotal figures (Schoenberg and Zemlinsky)...

Madeleine Peyroux, Barbican review - a transport of delight

You can take the woman out of the Left Bank, but you can’t take the Left Bank out of the woman. Madeleine Peyroux would be perfectly at home in a...

Red Speedo, Orange Tree Theatre review - two versions of Ame...

Before Lucas Hnath wrote Red Speedo, he had heard a 2004 speech at a hearing investigating baseball doping that declared the...

Album: Kevin Fowley - À Feu Doux

“Ne pleure pas, Jeannette” is a version of the 15th-century French song "La pernette se lève." It tells the story of Jeannette, whose parents want...

In a Violent Nature review - inverted slasher is fascinating...

A group of young people rent a cabin in the woods. A masked killer lingers nearby. Surely you know how the rest unfolds. The...

Music Reissues Weekly: Barry Ryan - The Albums 1969-1979

In April 1985, The Damned’s Dave Vanian was speaking with Janice Long on her BBC Radio 1 show. He said “Barry Ryan and Paul Ryan have been sadly...

ECHO, LIFT 2024, Royal Court review - enriching journey into...

The Iranian playwright Nassim Soleimanpour is many things, some seemingly contradictory: a) a clever, poetic playwright who uses high-...

Crossing review - a richly human journey of discovery

Crossing is a remarkable step forward for Swedish-Georgian...

First Night of the Proms, BBCSO, Chan review - from the subl...

The first night of the BBC’s 2024 Proms season was illuminated by the blazing brilliance of Isata Kanneh-Mason’s performance of Clara Schumann’s...

The Hot Wing King, National Theatre review - high kitchen-st...

There’s an exuberant comedy from the start in Katori Hall’s The Hot Wing King, which comes to London after an initial...