sat 04/04/2020

Thomas H Green

Thomas H. Green's picture
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Pages

latest in today

One Man, Two Guvnors, National Theatre at Home review – blis...

Armchair theatre-lovers rejoice. During the lockdown, the...

The Platform review - timely, violent and effective

Horror has always been a good vehicle for...

Album: Pokey LaFarge, Rock Bottom Rhapsody - a gourmet gumbo

Talk about a great big melting pot! The eighth studio album by the man born 36 ago as Andrew Heissler in Bloomington, Indiana, and known to the...

Lazy Susan, Soho Theatre On Demand review - sketch duo'...

You may have seen Lazy Susan's excellent BBC pilot last year; now a series has been commissioned from Freya Parker and Celeste Dring so we can...

ReMastered: Tricky Dicky and the Man in Black, Netflix revie...

Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Launching in 2018, when Tricky Dick and the Man in...

The Turn of the Screw, Opera North, OperaVision review - cla...

Feeling stir-crazy right now? Imagine being confined to one room with a half-crazed housekeeper, two dysfunctional kids and two increasingly...

Mark Kermode's Secrets of Cinema, BBC Four review - the...

Mirrors and windows, looking at ourselves or out into the world, reflecting the culture or making it: compare and contrast. This was the...

Album: Ren Harvieu - Revel In The Drama

Filmic. Lushness balanced with intimacy. Ren Harvieu’s follow-up to 2012’s Top Five Through The Night is crammed with wide-screen aural...

Wild, Hampstead Theatre online review - timelier than antici...

“The whole world is just tilting at the moment,” we’re told near the end of Wild, the Mike Bartlett play from summer 2016 that is...