sun 26/01/2020

Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Album: Electric Soft Parade - Stages

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Albums of the Year 2019: The Chemical Brothers - No Geography

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theartsdesk on Vinyl Christmas Special 2019

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theartsdesk on Vinyl 55: Peaky Blinders, Graham Coxon, 2 Tone, Redrago, Gary Numan, The Clash and more

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Blu-ray: A Fistful of Dynamite

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My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance power

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CD: Liam Payne - LP1

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The Chemical Brothers, O2 review - eye-boggling monster rave-up

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CD: Pete Tong & HER-O - Chilled Classics

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Iggy Pop, Barbican review - proto-punk legend goes jazz... sort of

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theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and more

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CD: The Script - Sunsets & Full Moons

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CD: Michael Kiwanuka - Kiwanuka

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CD: Jacques Greene - Dawn Chorus

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Alice Cooper, The Stranglers, MC50, Brighton Centre review - a triple-headed blast of vintage rock

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CD: 808 State - Transmission Suite

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Slipknot, Arena Birmingham review – Iowa metal-heads tear th...

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Reissue CDs Weekly: Game Theory - Across The Barrier Of Soun...

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Album: Squirrel Flower - I Was Born Swimming

The first album from the Boston-bred songwriter Squirrel Flower opens and closes with autobiographical songs. “I-80”...

Uncle Vanya, Harold Pinter Theatre review - a superlative co...

Uncle Vanya must surely be the closest, the most essential of...

The Personal History of David Copperfield review – top-drawe...

Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant...

The Sunset Limited, Boulevard Theatre review - all talk, no...

Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet...