Thomas H Green
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.
Articles By Thomas H Green
latest in today
Angry and Young, Almeida Theatre review - vigorous and illum...
Why should we not look back in anger? With the Oasis reunion tour in the news recently, the title of John Osborne’s seminal kitchen-sink drama —...
Blond Eckbert, English Touring Opera review - dark deeds afo...
Judith Weir’s Blond Eckbert, presented by English Touring Opera...
Songs We Carry, Ana Silvera and Saied Silbak, Kings Place re...
As the Middle East continues to fragment in hate and horror, a tragic unfolding of events with roots reaching back to the middle of the last...
Music Reissues Weekly: The Devil Rides In - Spellbinding Sat...
Just over two weeks before Christmas 1967, The Rolling Stones issued Their Satanic Majesties Request. The album’s title appeared to serve...
Things Will Be Different review - lost in the past
Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.
There’s...
Joan, ITV1 review - the roller-coaster career of a 1980s jew...
If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....
National Ballet of Canada, Sadler's Wells review - see...
What to expect of the National Ballet of Canada since its last...
Lear, Barbican Theatre review - a very stormy saga, Korean-s...
What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...
Album: Goat - Goat
With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...
Monet and London, Courtauld Gallery review - utterly sublime...
In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...