mon 16/05/2022

New Music Features

Clubbing with the Stones: Live at El Mocambo

Tim Cumming

In a little over two week’s time, the three remaining ones will kick-start their 60th year as The Rolling Stones by taking to the stage at a stadium on the edge of Madrid on June 1, around the same time that Elizabeth Windsor marks her own @70 jubilee across the UK.

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First Person: Harpist Rachel Newton on creating music to accompany two well-loved books celebrating nature, poetry and magic

Rachel Newton

I am fortunate to be one of the musicians involved in Spell Songs, a musical companion piece to both The Lost Words and The Lost Spells by acclaimed author Robert Macfarlane and award-winning illustrator and author Jackie Morris.

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10 Questions for musician and DJ Pete Tong

India Lewis

Perhaps appropriately, when I called Pete Tong for his 10 questions I was hungover, on the phone in a park after a night at a very good party. It’s a sign of the times that things are appearing to return to a relative normal, despite the threat of Omnicron and a precipitant winter lockdown.

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K-Music 2021: striking the right note for musical fusion

Tim Cumming

It’s been eight years since the first K-Music landed in London, courtesy the Korean Cultural Centre UK, along with world, folk and jazz concert producers Serious.

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Out of the shadows: Dylan’s Eighties reappraised

Tim Cumming

Dylan’s 1980s weren’t great in terms of critical acclaim. As an emerging new fan, I knew that first hand from the scathing reviews accorded Shot of Love by the British music press when it was released in the summer of 1981, it seemed about as welcome as a door-knocking Jehovah’s Witness first thing on a Sunday morning. 

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10 Questions for Harry Grafton of Red Rooster Festival

Thomas H Green

Harry Grafton (b. 1978) is the preferred title of Henry Fitzroy, 12th Duke of Grafton, custodian of Euston Hall in Suffolk and the man behind the Red Rooster Festival.

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An Oral History of Glastonbury Festival 1992

Thomas H Green

There is never one Glastonbury Festival. There are as many Glastonbury Festivals as there are people who attend. Thus it ever was, even back in 1992 when the capacity was only 70,000 (plus multitudinous fence-jumpers!).

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Glastonbury Festival: Live at Worthy Farm livestream review - glitched access upstages beautifully shot live footage

Caspar Gomez

INTERLUDE 1: INVALID CODE-AGEDDON

6.45 PM on Saturday 22nd May and all is well. Like tens of thousands of others across the UK (or maybe even more?) my wall flatscreen is tuned to Glastonbury’s livestream. Prior to the event itself promos for Water Aid and the like roll by, the kind usually on the huge screens beside the Pyramid Stage at the festival.

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Music books to end lockdown: Sam Lee, Hawkwind, Dylan, Richard Thompson, and the Electric Muses

Tim Cumming

It won’t be long now before concert halls and back rooms, arts centres and festival grounds fill with people again, and live music, undistanced, unmasked, and in your face, comes back to us.

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First Person: composer and Renaissance man Tunde Jegede on transcending genres

Tunde Jegede

In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to.

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