wed 27/09/2023

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Shake That Thing - The Blues in Britain 1963-1973

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Lorelle Meets The Obsolete, The Lexington review - forceful Mexicans generate an irresistible sonic whirlpool

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Album: Teenage Fanclub - Nothing Lasts Forever

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Music Reissues Weekly: In the Light of Time - UK Post-Rock and Leftfield Pop 1992-1998

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Music Reissues Weekly: David Westlake - D87

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Hardanger Musikkfest 2023 review - fertility, folk music and the supernatural unite along Norway’s fjords

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Music Reissues Weekly: March of the Flower Children - The American Sounds of 1967

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Music Reissues Weekly: Keith Levene and The Clash

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Album: Slowdive - Everything is Alive

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Album: Hiss Golden Messenger - Jump for Joy

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Music Reissues Weekly: The Boo Radleys - Giant Steps

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Mega Bog, The Lexington review - a synth-pop makeover is tempered with dashes of new wave

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Music Reissues Weekly: Playing for the Man at the Door - Field Recordings from the Collection of Mack McCormick

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Album: Laura Groves - Radio Red

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Music Reissues Weekly: Klar!80 - celebrating Düsseldorf’s early Eighties underground

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Album: Maria Wilman - Dark Horse

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latest in today

Frank and Percy, The Other Palace review - two-hander fails...

Two elderly men meet in the park while walking their dogs, and become friends. Even when friendship turns to...

Ailey 2, Marlowe Theatre, Canterbury review - young, black a...

Dance lovers with no access to a major city could feel genuinely hard done by were it not for Dance Consortium. This sainted organisation works to...

First Person: Director Sir David Pountney on creating a new...

Purcell came very early to me. When I was a chorister at St. John’s Cambridge “Jehova quam multi sunt” was a perennial favourite and we were...

Untitled F*ck M*ss S**gon Play, Young Vic review - committed...

Seldom can a title have given so much away about the play to follow, not just in terms of the subject matter but also in terms of...

Surprised by Oxford review - wishy-washy romance ticks the s...

The misty streets and lofty spires of Oxford star in this ...

Album: Steven Wilson - The Harmony Codex

Steven Wilson has merged various genres – metal, shoegaze, pop, dance, jazz – in his solo career without shrugging off the...

Strange Way of Life review - Pedro Almodóvar's queer We...

Less is more, except when it isn’t. Among the latest batch of overlong Oscar-tipped movies by celebrated auteurs such as Christopher Nolan (...

Octopolis, Hampstead Theatre review - blue, blue, electric b...

How many hearts does an octopus have? Answer: three. This pub quiz clincher is just one of the many fascinating facts that emerge from ...

The National, OVO Hydro, Glasgow, review - commanding arenas...

There remains something disconcerting about seeing the National as arena rockers. Perhaps it’s the nonchalant stage entrance as they stroll on, a...