wed 29/06/2022

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Album: Basia Bulat - The Garden

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Music Reissues Weekly: Dick Raaijmakers aka Kid Baltan, and Tom Dissevelt

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Music Reissues Weekly: Sammi Smith - Looks Like Stormy Weather

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Music Reissues Weekly: The Electric Prunes - Then Came The Dawn Complete Recordings 1966-1969

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Music Reissues Weekly: Stan Tracey Trio - The 1959 Sessions

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Music Reissues Weekly: Chris Farlowe & The Thunderbirds - Stormy Monday And The Eagles Fly On Friday

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Album: Grace Cummings - Storm Queen

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Music Reissues Weekly: The Gun Club - Preaching The Blues

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Music Reissues Weekly: Jon Savage's 1977-1979 - Symbols Clashing Everywhere

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Music Reissues Weekly: Looking back at 2021

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Albums of the Year 2021: Frida Hyvönen - Dream Of Independence

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Music Reissues Weekly: The Beau Brummels - Turn Around The Complete Recordings (1964-1970)

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Music Reissues Weekly: The Dave Clark Five - Glad All Over, The Pretty Things - Live At The BBC

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Album: Hiss Golden Messenger - O Come All Ye Faithful

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Music Reissues Weekly: Once Upon A Time In The West Midlands - The Bostin’ Sounds of Brumrock 1966-1974

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Hedvig Mollestad, National Jazz Scene, Oslo review - watch out, there’s a storm about

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The Fellowship, Hampstead Theatre review - strong clashes, t...

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the...

Moon, 66 Questions review - captivating daughter-father dram...

It takes some confidence for a first-time feature director to interrupt her essentially realistic...

Stanislav Aseyev: In Isolation - Dispatches from Occupied Do...

Stanislav Aseyev is a Ukrainian writer who came in from the...

We (Nous) review - a low-key look at life in the suburbs of...

Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of...

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...

Album: Paolo Nutini - Last Night in the Bittersweet

The last time that Paolo Nutini was on the public stage, he was knocking out fine blue-eyed soul and having substantial hits like “Scream (Funk my...

The Rolling Stones, BST Hyde Park review - let it rock!

A few spots of rain greeted the arrival of the...

Mad House, Ambassadors Theatre review - David Harbour is mag...

For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a...

Eric Ravilious: Drawn to War review - a lovingly crafted doc...

There’s a sharp observation, delivered in Alan Bennett’s soft tones, that sums up the reputation of the painter Eric Ravilious: “Because his...