thu 13/06/2024

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Duffy Power - Innovations, Live at the BBC

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Music Reissues Weekly: Heavy Metal Kids - The Albums 1974-76

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Album: Fever Ray - Radical Romantics

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Music Reissues Weekly: Jon Savage's 1980-1982 - The Art Of Things To Come

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Music Reissues Weekly: Stranger In Town - A Del Shannon Compendium

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Music Reissues Weekly: Dave Brubeck Quartet - Debut In The Netherlands 1958

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Marina Allen, Cafe Oto Review - east London substitutes for 1970s Los Angeles

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Music Reissues Weekly: Modern Eon - Fiction Tales

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Album: Amber Arcades - Barefoot On Diamond Road

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Music Reissues Weekly: The Senders - All Killer No Filler

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Northern Winter Beat 2023 review - Panda Bear, Sonic Boom and Širom amongst the highlights in Denmark’s north

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Album: Robert Forster - The Candle and the Flame

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Music Reissues Weekly: Padang Moonrise - The Birth of the Modern Indonesian Recording Industry

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Music Reissues Weekly: Bob Stanley / Pete Wiggs Present Winter of Discontent

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Album: Ghost Woman - Anne, If

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Music Reissues Weekly: Rustic Hinge and the Provincial Swimmers

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Pages

latest in today

Miss Julie, Park Theatre review - Strindberg's kitchen...

You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s ...

Album: Kneecap - Fine Art

For a band just putting out their debut album, West Belfast’s Kneecap have been courting media attention for some while and have already been seen...

theartsdesk at the 2024 Aldeburgh Festival - romantic journe...

It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who quietly leaves his post at...

theartsdesk on Vinyl 84: Ibibio Sound Machine, Dave Clarke,...

VINYL OF THE MONTH

Ariel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen...

theartsdesk Q&A: Viggo Mortensen on 'The Dead Don...

Viggo Mortensen has parlayed film stardom into the life of a...

Girls Aloud, OVO Hydro, Glasgow review - pop queens return w...

There was a point in this pop revival jaunt where you...

Album: John Grant - The Art of the Lie

“I feel ashamed because I couldn’t become the man that you always hoped I’d become.” The line is repeated during “Father,” The Art of the Lie’...

The Merry Widow, Glyndebourne review - fun and frolics in th...

Why would anyone want to stage a work like The Merry Widow in this day and age? Silly question. It’s the music, stupid. Of...

Being Mr Wickham, Jermyn Street Theatre review - the plausib...

It is a truth universally acknowledged that an actor tends to take a sympathetic view of the character he inhabits, however morally questionable....

First Person: The Henschel Quartet at 30

We vividly remember the image of Martin Lovett, the cellist of the legendary Amadeus Quartet, bursting out laughing. He tells his favourite true...