tue 01/07/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Lorelle Meets The Obsolete, The Lexington review - forceful Mexicans generate an irresistible sonic whirlpool

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Album: Teenage Fanclub - Nothing Lasts Forever

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Music Reissues Weekly: In the Light of Time - UK Post-Rock and Leftfield Pop 1992-1998

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Music Reissues Weekly: David Westlake - D87

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Hardanger Musikkfest 2023 review - fertility, folk music and the supernatural unite along Norway’s fjords

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Music Reissues Weekly: March of the Flower Children - The American Sounds of 1967

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Music Reissues Weekly: Keith Levene and The Clash

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Album: Slowdive - Everything is Alive

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Album: Hiss Golden Messenger - Jump for Joy

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Music Reissues Weekly: The Boo Radleys - Giant Steps

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Mega Bog, The Lexington review - a synth-pop makeover is tempered with dashes of new wave

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Music Reissues Weekly: Playing for the Man at the Door - Field Recordings from the Collection of Mack McCormick

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Album: Laura Groves - Radio Red

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Music Reissues Weekly: Klar!80 - celebrating Düsseldorf’s early Eighties underground

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Album: Maria Wilman - Dark Horse

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Music Reissues Weekly: Glenda Collins, Heinz, David John & The Mood - the latest treasures from Joe Meek's Tea Chest Tapes

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'We are bowled over!' Thank you for your messages... ...
Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...