sun 12/05/2024

New Music Reviews

Albums of the Year 2023: Scott Dunn with Claire Martin and the RPO - I Watch You Sleep

peter Quinn

A flawless song list comprising Richard Rodney Bennett originals plus some of his favourite standards, stunning arrangements by conductor Scott Dunn, plus the mellifluous vocals of Claire Martin magically aligned in my Album of the Year, I Watch You Sleep, an extraordinarily beautiful tribute to Bennett marking the tenth anniversary of his death.

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The Loveless, Castle & Falcon, Birmingham review - a proto-punk Xmas from Marc Almond’s new band

Guy Oddy

Back in those halcyon days of 2017, before the pandemic, Marc Almond did a tour of large concert halls, singing songs that had influenced him over the years. Needless to say, there was something of a focus on glam and proto-punk tunes from the likes of Lou Reed and David Bowie – which all seems to have sown the seeds for his latest musical direction.

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Music Reissues Weekly: Brinsley Schwarz - Thinking Back: The Anthology

Kieron Tyler

Typically tagged as the originators of pub rock, Brinsley Schwarz were where Nick Lowe honed his muse. But there were twists, turns and a waywardness which makes approaching them as a linear proposition difficult. Sometimes, they pointed one way yet then headed in a different direction. Next, off elsewhere. The complete-catalogue, seven CD set Thinking Back - The Anthology 1970-1975 encapsulates all of this.

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Lankum, Roundhouse review - a warm evening of folk mastery

India Lewis

The folk band Lankum are (for want of a less cliched phrase) at the height of their power. Their gig at the Roundhouse, as they said themselves, was the biggest audience they had ever played for – and everyone was loving it.
 
The Roundhouse, surely one of the most beautiful venues for gigs, felt completely packed by the end of the support act, Rachael Lavelle.

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theartsdesk on Vinyl Christmas Special 2023: Aretha Franklin, Barbara Streisand, Oasis, Robb Johnson, Jimi Hendrix and more

Thomas H Green

Welcome to the annual seasonal one-off, in which theartsdesk on Vinyl dives into festive releases, as well as the boxsets and reissues that will make fine presents. Grab a glass of something and dive in!

CHRISTMAS VINYL OF THE MONTH

Various Stax Christmas (Craft)

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Hozier, OVO Hydro, Glasgow review - sublime voice and a super-sized sound

Jonathan Geddes

There was something misleading about the opening of this concert. As Andrew John Hozier-Byrne and his band stepped onstage, the stage was lit up by a single spotlight, focused around the microphone that the singer stepped up to. Yet the following two hours were anything but a one-man band, with the collective of musicians assembled behind him given ample room to shine, to mostly positive but occasionally negative effect.

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Madness, Brighton Centre review - a celebration of songs old and new

Thomas H Green

Madness are very and volubly pleased that their latest album, their 13th, recently hit the UK No. 1 spot. Unbelievably, it’s their first studio album to do this. It even knocked Taylor Swift off the top spot. “I’m not saying, ‘Taylor Swift, fuck off! Drake, do one!'” says Suggs, early in their set, in his usual dryly genial manner, “but you gotta scratch your own back every now and then.”

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Trans Musicales Festival 2023 review - a smorgasbord of global sounds

Thomas H Green

FRIDAY

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theartsdesk on Vinyl 81: Nobro, Adrian Sherwood, Evian Christ, Ozric Tentacles, Maple Glider, Viken Arman and more

Thomas H Green

The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next one will be our Christmas Special, filled with seasonal fare and present-suitable reissues and boxsets.

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Gogol Bordello, O2 Institute, Birmingham review - an incendiary performance by Eugene Hütz’ gang

Guy Oddy

Gogol Bordello’s gig in Birmingham this week took place on the evening of Shane MacGowan’s funeral and inevitably turned into something of a celebration of that great poet and songwriter’s life. But then, with the raucous folk music on offer, it was hardly going to be any different.

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