mon 06/10/2025

Film Reviews

The Trial Of The Chicago 7 review – blistering docudrama that speaks to our times

Joseph Walsh

Aaron Sorkin’s latest powerhouse drama couldn’t come at a more opportune moment.

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Miss Juneteenth review - a ray of Texan sunshine

Owen Richards

Beauty queen pageants have long been ripe for parody, from their plastic glamour to the Machiavellian competitiveness. Miss Juneteenth opts for a much more nuanced approach, using the pageant as a focal point for a mother and daughter navigating their difficult present and possible future.

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Monsoon review - like something almost being said

Tom Birchenough

Building very promisingly on the achievement of his debut feature Lilting from six years ago, in Monsoon Hong Khaou has crafted a delicate study of displacement and loss, one that’s all the more memorable for being understated.

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Enola Holmes review – a new Sherlock-related franchise is afoot

Joseph Walsh

Its no secret that Arthur Conan Doyles most famous creation lays claim to more appearances on screen than any other fictional character. Over the past several decades, weve seen Sherlock as a pugilist action-hero, a modern-day sleuth, and in a painfully unfunny slapstick guise.

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Bill & Ted Face the Music review - modestly delightful

Nick Hasted

Beavis and Butthead’s vicious grunge-era gormlessness remains interred, Wayne and Garth (and their stars’ careers) are too superannuated to revive.

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Hendrix and the Spook review - a search for clarity in murky waters

Sarah Kent

September 18th is the 50th anniversary of Jimi Hendrix’s death, an appropriate moment to release Hendrix and the Spook, a documentary exploring the vexed question: was it murder, suicide or a tragic accident?

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Nocturnal review - an impossible love

Graham Fuller

The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis) and 17-year-old Laurie (Lauren Coe) gaze across a body of seawater to a miniature chemistry set – a tract of illuminated industrial buildings and smoke-belching cooling towers.

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Rocks review - impressively well-crafted neo-realist drama

Saskia Baron

Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the current climate. It really should be experienced in a cinema as the camerawork by Hélène Louvart is stunning and the sound design is excellent.

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The Devil All The Time review – a test of faith in a Southern Gothic tradition

Joseph Walsh

Theres no denying the Faulknerian ambition to the construction of Anthony Camposlatest feature Devil All the Time. Its a brooding, blood-soaked Semi-Southern Gothic drama spanning two generations through a plot that wrestles with the nature of good and evil like Jacob at Penuel.

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Max Richter's Sleep review - refreshing as a good night's rest

Joseph Walsh

If there was ever a balm for these confusing times, then it’s Max Richter’s Sleep, a lullaby of a documentary that explores the composer’s eight-hour-plus experimental 2015 composition based on sleep cycles.

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Broken Hearts Gallery review - effortfully entertaining

Matt Wolf

Remember when romcoms didn't try so hard?

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Savage review - an immersive look at gang culture in Wellington, New Zealand

Markie Robson-Scott

Not to be confused with Savages, the Oliver Stone film of 2012 about marijuana smuggling, Savage is a story of New Zealand street gangs: how to join and how to escape, which, when you’ve got the words Savages and Poneke (the Maori name for Wellington, where the film is set) tattooed on your face, like...

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The Painted Bird review - bestial horror conveyed with beauty

mark Kidel

Based on a novel by Jerzy Kosinski, The Painted Bird is an extraordinarily powerful chronicle of a young Jewish boy’s survival in Eastern Europe, the scene of some of the most terrible violence, inhumanity, and depredation during the Second World War.  The Czech director Vacláv Marhoul worked on the

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Sócrates review - pain and grief on the Brazilian coast

David Nice

In the course of this short (65 minute) film, 15-year-old Sócrates wanders around Santos, in the state of Brazil’s São Paolo, and the nearby coast after the death of his mother, rejected at one point or another by everyone with whom he comes in contact, just as he rejects the worst options.

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Les Misérables review - exhilarating French policier

Saskia Baron

The only thing confusing with Les Misérables is its pointedly provocative title, as there are no costumed urchins and no singing involved. Searching online to find the UK cinemas where it’s playing this week entails a trek past the execrable 2012 musical of the same name, but it’s well worth tracking down a screen that's showing this exhilarating and intelligent new fi

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Mulan review - Niki Caro's live action take on the '98 classic underwhelms

Joseph Walsh

Whilst New Mutants slips surreptitiously into cinemas, Disney’s live-action spin on Mulan arrives with more fanfare on their streaming platform, even if it does come with a price-tag of nearly £20.

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