tue 07/10/2025

Film Reviews

Blu-ray/DVD: It Couldn't Happen Here

India Lewis

The Pet Shop Boys' film It Couldn’t Happen Here, originally released in 1988, has been given a new outing on a BFI Blu-ray/DVD that contextualises it with special features. While it's an entertaining snapshot of a particular time in British and pop history, and while I don’t wish to be churlish, that's about as far as it goes. 


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Artemis Fowl review - flash bang nothing

Owen Richards

It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait?

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Echo in the Canyon review – California droopin'

Graham Fuller

Echo in the Canyon is a lamentably thin documentary about the vibrant folk-rock music scene that flourished in the bohemian Los Angeles neighbourhood of Laurel Canyon from 1965 to 1967.

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Da 5 Bloods review - Spike Lee takes on the black GIs' experience in Vietnam

Saskia Baron

Spike Lee’s ambitious tale of five American veterans returning to Vietnam to settle unfinished business, should have opened out of competition at Cannes last month. He was set to become the first African American film-maker to head the festival jury.

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The King of Staten Island review - Apatow's best work in a decade

Joseph Walsh

The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/writer/producer like Apatow has room for growth. 

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Banana Split review - likable if essentially timid romcom

Matt Wolf

Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend whom they have shared.

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Days of the Bagnold Summer review - wry suburban drama

Veronica Lee

Simon Bird's feature film debut as a director is a gentle, warm-hearted look at a mother and son's strained relationship as they are forced to spend the summer holidays together when the teenager's dad...

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Guest of Honour review – the grip of guilt

Graham Fuller

A master at bringing neurotics to bilious life on screen, David Thewlis shines as a peevish, corrupt health inspector in Guest of Honour.

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A Rainy Day in New York review - one of Woody's later, patchy ones

Nick Hasted

Woody Allen’s filmography, like Michael Caine’s, is remorseless, accepting mediocre work to mine more gems than most. Even after his career and this film’s planned 2018 release became collateral damage to #MeToo and a revived child abuse allegation, he has kept directing.

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The Last Full Measure review - exceptional performances elevate middling Vietnam war drama

Joseph Walsh

It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H.

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The Vast of Night review - perfectly paranoid

Graham Fuller

The Vast of Night’s premise scarcely guarantees originality.

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Krabi, 2562 review - a trance-like visitation

Owen Richards

Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi is one such location, made famous by such films as The Beach and The Man with a Golden Gun.

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The Uncertain Kingdom review - Britannia agonistes

Graham Fuller

The Uncertain Kingdom is a VOD anthology of 20 short films, 10 directed by women, comprising a tapestry of life in – and, in one case, outside – Brexit-era Britain. Though hope, humour, and whimsy were threaded into the project, its dominant fabric is grey.

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The High Note review - Tracee Ellis Ross shines in so-so music dramedy

Joseph Walsh

Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson are still likely to win audiences over.

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Have a Good Trip, Netflix review - a breezy journey into the mind

Owen Richards

Don’t do drugs, kids. For the past 50 years, that’s been the consistent message. But how much of what we know about psychedelics is just fearmongering? Do you really want to jump out of a window? Will you permanently lose your mind?

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Women Make Film: Part Two review - two steps forward, one step back

Jill Chuah Masters

The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema.

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