tue 13/11/2018

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Peterloo review - Mike Leigh's angry historical drama

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I and You, Hampstead Theatre review - Young Adult drama packs emotional punch

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Ayesha Hazarika, Soho Theatre review - feminism examined

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Ciarán Dowd, Soho Theatre review - terrific spoof swordsman tale

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The Bisexual, Channel 4 review - joyless comedy drama

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Ivo Graham, Soho Theatre review - the perils of growing up

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Nish Kumar, Soho Theatre review - the state we're in

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Black 47 review - a gripping and unusual drama

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Katherine Ryan, Garrick Theatre review - feminism with extra sass

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The League of Gentlemen Live Again!, Sunderland Empire review - going local for local people

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Edinburgh Fringe 2018: Rose Matafeo review

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Edinburgh Fringe 2018 reviews: Rosie Jones/ Marcus Brigstocke/ Alice Snedden

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Edinburgh Fringe 2018: Luisa Omielan/ Brennan Reece/ Olga Koch

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Edinburgh Fringe 2018 reviews: Ari Shaffir/ Ashley Blaker/ Janeane Garofalo

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Edinburgh Fringe 2018 reviews: Alex Edelman/ Jayde Adams/ Kieran Hodgson

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Edinburgh Fringe 2018 reviews: Catherine Bohart / Norris & Parker / Pelican

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latest in today

Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supe...

Even in a large hall, very good things can come in small packages. In advance, partisans of the Wigmore Hall or some other dedicated chamber space...

The Simon & Garfunkel Story, Vaudeville Theatre review -...

What to make of The Simon & Garfunkel Story, which began a week-long residency at London’s...

theartsdesk on Vinyl 44: Thom Yorke, Primal Scream, Elvis, N...

Enough hyping! This month, without further ado, let’s head straight to the reviews…

VINYL OF THE MONTH

LOR...

CD: Imogen Heap - The Music of Harry Potter and the Cursed C...

London’s Palace Theatre this week celebrated the thousandth...

They Shall Not Grow Old, BBC Two review - Peter Jackson...

Peter Jackson has form when it comes to re-examining cinema history. In 1995 he made Forgotten Silver, a...

Robert Hastie: 'a seam of love runs through the play...

Robert Hastie is a little late for our meeting. Directing ...

LSO, Roth, Barbican - not enough pathos, but a remarkable st...

Missa in Angustiis. Mass in troubled times. There was a logic in...

Edward Burne-Jones, Tate Britain review - time for a rethink...

When, in 1853, Edward Burne-Jones (or Edward Jones as he then was) went up to Exeter College, Oxford, it could hardly have been expected that the...

Widows review - feminist crime pays

Steve McQueen’s progress from video artist to...