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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Summer Laugh review - five comics gear up for the Fringe

Monday, 30 June 2025 Read more...

Kieran Hodgson, Soho Theatre review - a love affair soured by Trump

Monday, 23 June 2025 Read more...

Sarah Silverman, Netflix Special review - finding the funny in losing a parent

Tuesday, 17 June 2025 Read more...

Dara Ó Briain, Soho Theatre Walthamstow review - master storyteller spins a family yarn

Monday, 26 May 2025 Read more...

Mr Swallow: Show Pony, Richmond Theatre review - magic tricks and mayhem

Tuesday, 20 May 2025 Read more...

The Comedy About Spies, Noel Coward Theatre review - 'Goes Wrong' team hit the spot again

Thursday, 15 May 2025 Read more...

Zoe Lyons, Touring - midlife, without the crisis

Tuesday, 13 May 2025 Read more...

Greg Davies, Brighton Dome review - chocolate bars and errant bumholes

Tuesday, 22 April 2025 Read more...

Marcus Brigstocke, Touring review - modern manhood laid bare

Wednesday, 09 April 2025 Read more...

Matt Forde, Touring review - politics, poo and Viagra

Saturday, 08 March 2025 Read more...

Harry Hill, Wilton's Music Hall review - madcap comic on terrific form

Monday, 24 February 2025 Read more...

Amy Gledhill, Soho Theatre review - delightfully bawdy take on serious subjects

Monday, 03 February 2025 Read more...

Russell Howard Live at the Palladium review - feelgood philosophy with added smut

Wednesday, 29 January 2025 Read more...

Ben Elton, Duke of York's Theatre review - big subjects, big laughs

Monday, 20 January 2025 Read more...

Chris McCausland, Winchester Theatre Royal review - Strictly winner as cheerfully cynical as ever

Thursday, 16 January 2025 Read more...

Gala Preview Show, De Montfort Hall review - Leicester Comedy Festival nicely teed up

Monday, 13 January 2025 Read more...

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The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review...

It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...

The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

Yazmin Lacey confirms her place in a vital soul movement wit...

We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...

From Historical to Hip-Hop, Classically Black Music Festival...

To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...