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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Amy Schumer, Netflix Special review - New York smarts about being a fortysomething

Friday, 30 June 2023 Read more...

John Kearns, Brighton Komedia review - Van Gogh, joining the circus and pooey nappies

Monday, 29 May 2023 Read more...

Phil Wang, RFH review - smut and smarts

Tuesday, 23 May 2023 Read more...

Hannah Gadsby, Netflix special review - shaggy dog story of marital bliss

Tuesday, 16 May 2023 Read more...

Dick and Dom in da Bungalow, Touring review - Bogies, bottoms and other childish fun

Tuesday, 25 April 2023 Read more...

Emmanuel Sonubi, ArtsDepot review - confessions of a former bouncer

Monday, 17 April 2023 Read more...

Vardy v Rooney: The Wagatha Christie Trial, Ambassadors Theatre review - courtroom drama hits the back of the net

Thursday, 13 April 2023 Read more...

Chris Rock, Netflix special review - no holds barred on the Oscars slap

Friday, 17 March 2023 Read more...

Crybabies, Soho Theatre review - sharp sci-fi spoof

Thursday, 09 March 2023 Read more...

Bridget Christie, The Haymarket, Basingstoke review - making the menopause funny

Tuesday, 07 March 2023 Read more...

Ricky Gervais, BIC review - nudging the boundaries again

Monday, 27 February 2023 Read more...

What's Love Got to Do With It? review - Jemima Khan's feelgood romcom

Monday, 27 February 2023 Read more...

'Weird Al' Yankovic, London Palladium review - deep dive into his original songs

Tuesday, 21 February 2023 Read more...

Catherine Cohen, Brighton Komedia review - songs and New York sass

Thursday, 09 February 2023 Read more...

Puss in Boots: The Last Wish review - thrilling adventure with Antonio Banderas

Saturday, 04 February 2023 Read more...

Lucy Porter, Cambridge Junction review - making light of a midlife crisis

Monday, 23 January 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Hill review, Sky Documentaries - how Damon Hill battled his...

Some world champion racing drivers make it look effortless, but it was never that way for Damon Hill. His path to the championship he won in 1996...

Glastonbury Festival 2025: Five Somerset summer days of musi...

MONDAY 30th JUNE 2025

“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...