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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Peter Kay, O2 Arena review - comeback show is worth the wait

Monday, 18 September 2023 Read more...

Kate Berlant Is KATE, Soho Theatre review - glorious spoof of actory types

Tuesday, 12 September 2023 Read more...

Edinburgh Fringe 2023 review: Ahir Shah

Monday, 28 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Janine Harouni / Paddy Young / Ian Smith

Friday, 25 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Olga Koch / Bill O'Neill / Mary O'Connell

Friday, 18 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Darran Griffiths / Louise Atkinson / Louise Young

Wednesday, 16 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Tennessee, Rose / The Ballad of Truman Capote

Tuesday, 15 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

Monday, 14 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Rob Auton / Laura Davis / Matt Forde

Saturday, 12 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Groomed / Let the Bodies Pile

Friday, 11 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Amos Gill/ Lorna Rose Treen/ Crizards

Thursday, 10 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Krystal Evans / William Thompson / Alison Spittle

Wednesday, 09 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Ania Magliano / Elliot Steel / Alexandra Haddow

Tuesday, 08 August 2023 Read more...

Edinburgh Fringe 2023 reviews: Ed Byrne / Fiona Allen / Kieran Hodgson

Monday, 07 August 2023 Read more...

Urooj Ashfaq, Soho Theatre review - assured UK debut by Mumbai stand-up

Tuesday, 01 August 2023 Read more...

Josh Pugh Live at Birmingham Town Hall review - observational gags with a touch of the surreal

Wednesday, 26 July 2023 Read more...

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Emily Kam Kngwarray, Tate Modern review - glimpses of anothe...

It took until the last room of her exhibition for me to gain any real understanding of the work of...

Album: Tami Neilson - Neon Cowgirl

Tami Neilson’s career is long and storied. The short version is that she began with a 1990s Canadian family band (opening for Kitty Wells, aged 10...

theartsdesk at the Ravenna Festival 2025 - Cervantes, Beetho...

Anyone seeking local genius in an international festival should look no further than the annual Ravenna concerts from Riccardo Muti – Neapolitan...

Girl From The North Country, Old Vic review - Dylan's s...

Well, I wasn’t expecting a Dylanesque take on "Oh, What a Beautiful Mornin'" as an opening number and I was right. But The Zim,...

The Estonian Song and Dance Celebration 2025 review - the ma...

The branch of the fast-food chain Hesburger in downtown Tallinn shopping centre Solaris is busy. Nothing unusual as it’s located by the entrance...

Insomnia, Channel 5 review - a chronicle of deaths foretold

A mixture of legal drama, medical mystery and psychological thriller with creepy supernatural overtones, Insomnia sometimes seems to be...

The Merry Wives of Windsor, Shakespeare's Globe review...

Shakespeare’s Prince Hal may have rejected Sir John Falstaff as a symbol of his misspent...

Album: Mark Stewart - The Fateful Symmetry

I met Mark Stewart once. It was on a platform at Clapham Junction, I wouldn’t normally approach a famous person like that, but I felt I had to pay...