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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Catherine Bohart, Soho Theatre review - girlfriends, gossip and gay parenthood

Saturday, 09 March 2024 Read more...

Miles Jupp, Cambridge Arts Theatre review - life's vicissitudes turned into laughs

Tuesday, 05 March 2024 Read more...

Andy Parsons, Touring review - reasons to be cheerful...

Wednesday, 28 February 2024 Read more...

Paul Foot, Soho Theatre review - how to discover the meaning of life

Monday, 19 February 2024 Read more...

Jessica Fostekew, Soho Theatre review - age is just a number

Tuesday, 13 February 2024 Read more...

Tatty Macleod, Soho Theatre review - cross-Channel relations

Thursday, 11 January 2024 Read more...

Best of 2023: Comedy

Saturday, 30 December 2023 Read more...

Reuben Kaye, Purcell Room review - Australian gives powerhouse performance

Friday, 22 December 2023 Read more...

Lucy Beaumont, Touring review - Hull’s finest goes on the road

Friday, 10 November 2023 Read more...

Michael McIntyre, Brighton Centre review - observational everyman

Monday, 30 October 2023 Read more...

John Robins, touring - high anxiety can be funny

Friday, 20 October 2023 Read more...

The Miracle Club review - unchallenging but enjoyable Irish drama

Friday, 13 October 2023 Read more...

The Foreigners' Panto, BOLD Theatre review - no laughing matter

Tuesday, 10 October 2023 Read more...

Peter Kay, O2 Arena review - comeback show is worth the wait

Monday, 18 September 2023 Read more...

Kate Berlant Is KATE, Soho Theatre review - glorious spoof of actory types

Tuesday, 12 September 2023 Read more...

Edinburgh Fringe 2023 review: Ahir Shah

Monday, 28 August 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...

Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Kerry Godliman, G-Live review - she's livid but deliver...

Kerry Godliman is livid, she tells us. Spider webs catching in her hair, the state of the world, her teenage children; you name it,...

Mark Hussey: Mrs Dalloway - Biography of a Novel review - ec...

Writing in her diary just over 100 years ago on 19th June 1923, Virginia Woolf wrote: “In this...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...