fri 07/10/2022

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Eureka Day, Old Vic review - fun if not entirely fulfilling

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101 Dalmatians, Regent's Park Open Air Theatre review - puppets rule in patchy musical

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Anything Goes, Barbican review - shipboard frivolity still fizzes, mostly

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A Doll's House, Part 2, Donmar Warehouse review - Noma Dumezweni nails it

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All My Friends Hate Me review - beware of the bilious

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Marys Seacole, Donmar Warehouse review - frustrating yet unflinching

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Anyone Can Whistle, Southwark Playhouse review - full-on bonkers

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Oscars 2022 - the smack heard around the world

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A Number, Old Vic review - revelatory yet again

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The Humans review - staring headlong into the abyss

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Best of 2021: Theatre

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Stephen Sondheim in memoriam - he gave us more to see

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Get Up, Stand Up!, Lyric Theatre review - knockout performance, undercooked book

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White Noise, Bridge Theatre review - provocative if not always plausible

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Camp Siegfried, Old Vic review - the banality of evil, brilliantly served up

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Carousel, Regent's Park Open Air Theatre review - brave rewrite doesn't land

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latest in today

The Caucasian Chalk Circle, Rose Theatre review - new produc...

Brecht – as I suppose he intended – is always a shock to the system. With not a word on what to...

The Boy with Two Hearts, National Theatre review - poignant...

It’s particularly poignant to watch this story in the knowledge that a little over a year after US-led troops withdrew from Afghanistan, women and...

James IV: Queen of the Fight, Festival Theatre, Edinburgh re...

"The poem is real," intones entertainer-turned-courtier Ellen solemnly as a prologue and epilogue to Rona Munro’s...

Album: Broken Bells - Into the Blue

Not content with having released one of the best hip-hop albums in recent memory (Cheat Codes, alongside Black Thought), producer Brian...

Inside Man, BBC One review - strong cast trapped on a sinkin...

Screenwriter and showrunner Steven Moffat is renowned for some of his work, especially...

Lucian Freud: New Perspectives, National Gallery review - a...

There stands Lucian Freud in Reflection with Two Children (Self-portrait), 1965 (main picture) towering over you,...

Blu-ray: Nitram

Nitram is an object lesson in how to make a responsible film about a mass shooting, right down to not using the fame-seeking...

Only an Octave Apart, Wilton's Music Hall review - inst...

You know you’re in good company the minute these two appear on stage: they are so splendidly what they are, comfortable in their own skins and...

Jaminaround, Ancient Technology Centre, Cranborne review - c...

The most unlikely venue: an extraordinary, authentic-as-can-be replica of a large Iron Age roundhouse. There’s a turf and grass roof, and the...

Andrew Murray: Is Socialism Possible in Britain? review - wh...

The title of Andrew Murray’s new book poses a question that also vexed...