tue 07/07/2020

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Back Roads review - nice cheekbones, not much else

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Theatre Lockdown Special 12: An American rarity, a British savoury, and fresh Apples

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Theatre Lockdown Special 11: Shakespeare-as-rave, a starlit Old Vic, and, yes, those singing nuns

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Theatre Lockdown Special 10: Epic plays from the National Theatre and Broadway alongside voices raised in protest

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Theatre Lockdown Special 9: Alan Bennett revisited, and so is Oz

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Banana Split review - likable if essentially timid romcom

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Theatre Lockdown Special 8: A film star plays tough, and several familiar titles are examined anew

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Theatre Lockdown Special 7: Party politics and a Broadway titan or two

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Theatre Lockdown Special 6: A prolific playwright, a timeless play, and speeches galore

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Theatre Lockdown Special 5: A solo show for the ages, Ibsen refreshed, and yet more frolicsome cats

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Theatre Lockdown Special 4: Little-known Lloyd Webber, prize-winning Shakespeare, and starry David Mamet

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Can You Keep A Secret? review - a bumpy ride

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Theatre Lockdown Special 3: Mary Shelley twice over, Europe writ large, and one day more for a mega-musical

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Theatre Lockdown Special 2: Birthdays aplenty, songs of hope, a starry quiz - and more

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Cuck review - tediously nihilistic

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Theatre Lockdown Special 1: Starry podcasts, late-career Shakespeare, a celebrity basement - and more

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latest in today

Bette Howland: Blue in Chicago review – the city on trial, w...

You feel at times, while reading the collection Blue in Chicago, that Bette Howland might have missed her vocation. In another life,...

Being Beethoven, BBC Four review – from grubby kid to grumpy...

Documentaries like this one make me sentimental for a time, until about 25 years ago, when classical music was a more or less weekly presence on...

Album: Rufus Wainwright - Unfollow the Rules

After Unfollow the Rules: The Paramour Session and the...

Terri White: Coming Undone review - a British journalist unr...

The journalistic addiction-memoir is a crowded genre these days: Details editor Dan Perez chronicles his massive intake of Vicodin and...

Camille Laurens: Little Dancer Aged Fourteen review - the st...

Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and...

Reissue CDs Weekly: Philip Rambow - The Rebel Kind

“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty,...

Dom Joly / Daniel Sloss, Brent Cross reviews - UK's fir...

It was a weary and frustrated Dom Joly (★★) who left the stage after performing the first drive-in...

Homemade review - laughs, loss and madness in lockdown

If COVID-19 isn’t the only topic being tackled by creative folk at the moment, it certainly feels like it. That’s perfectly understandable, when...