thu 09/04/2020

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Wonderland, Hampstead Theatre online review - a major play about the miners

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Cyprus Avenue, Royal Court Theatre online review - a mind in mesmerising meltdown

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Wild, Hampstead Theatre online review - timelier than anticipated

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Sondheim at 90: adults will listen

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Love, Love, Love, Lyric Hammersmith review - a stinging revival

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On Blueberry Hill, Trafalgar Studios review - superb acting, specious plot

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Pretty Woman: The Musical, Piccadilly Theatre review - not so pretty, actually

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Be More Chill, The Other Palace review - more exhausting than enlightening

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A Number, Bridge Theatre review - a dream team dazzles anew

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The Visit, National Theatre review - star turn bolsters baggy rewrite

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Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessible

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Oscars 2020: a 'Parasite' love-in caps a night of firsts

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Albion, Almeida Theatre review - more rewarding and resonant than ever

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Plus One review - charm, yes, but irritation too

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The Sunset Limited, Boulevard Theatre review - all talk, no theatre

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You Stupid Darkness!, Southwark Playhouse review - an intriguing muddle

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latest in today

The Beast review - bad cop blues

“They say we all have a beast locked up inside of us,” a character observes early in this...

Gators, Tramp Productions online review – the glittering dar...

She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are way out of control. She knows that the natural...

ZZ Top: That Little Ol' Band From Texas, Netflix review...

ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that...

Remembering John Prine, one of the great American singer-son...

John Prine, who has died at the age of 73 from a Covid 19-...

Wonderland, Hampstead Theatre online review - a major play a...

The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily...

Joe Boyd's Recording Heaven

When it comes to making records, I love deadlines. Embarking on an open-ended project, particularly with the infinite number of overdubs made...

The Rake's Progress, Complicité online review - well-pr...

One way to look at Stravinsky's celebrated collaboration...

Mark Townsend: No Return review - a masterclass in journalis...

When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to...

Return to Belsen, ITV review - Jonathan Dimbleby retraces hi...

When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April...

The Iron Mask review - preposterous multi-national fantasy

Director Oleg Stepchenko’s follow-up to his 2014...