Matt Wolf
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.
Articles By Matt Wolf
latest in today
Pinters Three and Four, Harold Pinter Theatre review - doubl...
The West End is specialising in two-parters of late. To...
Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supe...
Even in a large hall, very good things can come in small packages. In advance, partisans of the Wigmore Hall or some other dedicated chamber space...
War Horse, National Theatre review - still touching after al...
War Horse at the National Theatre...
The Simon & Garfunkel Story, Vaudeville Theatre review -...
What to make of The Simon & Garfunkel Story, which began a week-long residency at London’s...
theartsdesk on Vinyl 44: Thom Yorke, Primal Scream, Elvis, N...
Enough hyping! This month, without further ado, let’s head straight to the reviews…
VINYL OF THE MONTH
LOR...
CD: Imogen Heap - The Music of Harry Potter and the Cursed C...
London’s Palace Theatre this week celebrated the thousandth...
They Shall Not Grow Old, BBC Two review - Peter Jackson...
Peter Jackson has form when it comes to re-examining cinema history. In 1995 he made Forgotten Silver, a...
Robert Hastie: 'a seam of love runs through the play...
Robert Hastie is a little late for our meeting. Directing ...
LSO, Roth, Barbican - not enough pathos, but a remarkable st...
Missa in Angustiis. Mass in troubled times. There was a logic in...
Edward Burne-Jones, Tate Britain review - time for a rethink...
When, in 1853, Edward Burne-Jones (or Edward Jones as he then was) went up to Exeter College, Oxford, it could hardly have been expected that the...