tue 19/03/2024

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Beau is Afraid review - life's ordeals in lengthy detail

Read more...

The Motive and the Cue, National Theatre review - theatrical titans face off

Read more...

Dancing at Lughnasa, National Theatre review - largely ravishing Brian Friel revival

Read more...

Private Lives, Donmar Warehouse review - Coward revival cuts to the quick

Read more...

Allelujah review - Alan Bennett put through the blender

Read more...

Oscars 2023 - the favourite lives up to its title

Read more...

Shirley Valentine, Duke of York's Theatre review - Sheridan Smith slays it

Read more...

Best of 2022: Theatre

Read more...

Best of Enemies, Noel Coward Theatre review - opposites attract, sort of

Read more...

Matilda the Musical review - a dizzying, smartly subversive delight

Read more...

Bones and All review - eat, don't heat

Read more...

The Band's Visit, Donmar Warehouse review - still waters run bittersweet

Read more...

Eureka Day, Old Vic review - fun if not entirely fulfilling

Read more...

101 Dalmatians, Regent's Park Open Air Theatre review - puppets rule in patchy musical

Read more...

Anything Goes, Barbican review - shipboard frivolity still fizzes, mostly

Read more...

A Doll's House, Part 2, Donmar Warehouse review - Noma Dumezweni nails it

Read more...

Pages

latest in today

Blu-ray: Beautiful Thing

Beautiful Thing’s opening scene plays out like a sweary take on Bill Forsyth’s Gregory’s Girl, Meera Syal’s potty-mouthed PE...

Manhunt, Apple TV+ review - all the President's men

President Abraham Lincoln was assassinated on 14 April 1865, five days after General Robert E Lee’s surrender at Appomatox signalled the end of...

Bevan, Williams, BBCSO, MacMillan, Barbican review - inspira...

It began with the tolling of a lone bell and ended in a transcendent blaze of golden light. The UK premiere of James MacMillan’s Fiat Lux...

Salome, Irish National Opera review - imaginatively charted...

“Based on the play by Oscar Wilde,” declared publicity on Dublin buses and buildings, reminding opera-cautious citizens that the poet whose text...

Album: Elbow - Audio Vertigo

On this, their 10th album, the melodious...

First Person: conductor Peter Whelan on coming full circle w...

There's something undeniable about the way music can weave itself into the fabric of our lives, shaping our passions and leaving an indelible...

Music Reissues Weekly: The Mystic Tide - Frustration

Crashing chords are followed by a spindly, untrammelled solo guitar. After this subsides, the singer lays out the issue: “I try, I cry, I just can...

Hughes, SCO, Kuusisto, Queen’s Hall, Edinburgh review - Clyn...

Most concert promoters will tell you that contemporary music tends to be, to put it politely, a tricky sell, which is one of the reasons why it’s...

The New Boy review - a mystical take on Australia's tre...

This is writer-director Warwick Thornton’s third...