sat 23/02/2019

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Why Him?

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Wild Honey, Hampstead Theatre

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She Loves Me, Menier Chocolate Factory

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Half A Sixpence, Noel Coward Theatre

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School of Rock: The Musical, New London Theatre

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Nocturnal Animals

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The Light Between Oceans

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Howard Davies: An Appreciation

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A Pacifist's Guide to the War on Cancer, National Theatre

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Oil, Almeida Theatre

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Two Women

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Café Society

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Groundhog Day, Old Vic

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The Shallows

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Yerma, Young Vic

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Young Chekhov, National Theatre

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Pages

latest in today

Follies, National Theatre review - the Sondheim spectacular...

This is a golden age of London Sondheim revivals, with...

Eden, Hampstead Theatre Downstairs review - thoughtful comme...

"It's gonna be the best golf course in the world," a man in an Aertex shirt and a bright red baseball cap is assuring us. "The best. I ...

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulte...

It doesn’t get better than this! Phyllida Barlow has transformed the Royal Academy’s...

Old Boys film review - short but not especially sweet

How does the ever cherub-cheeked Alex Lawther keep getting served in pubs? That question crossed my mind during the more leisurely portions of...

CD: Royal Trux - White Stuff

It's 18 years since the last Royal Trux album, but it might just...

The Monstrous Child, Royal Opera, Linbury Theatre review - f...

Hel, heroine of Gavin Higgins and Francesca Simon’s new opera, is the illegitimate daughter of the Norse god Loki. In many ways The Monstrous...

Equus, Theatre Royal Stratford East review - thrilling physi...

There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social...