sat 20/09/2025

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Best of Enemies, Noel Coward Theatre review - opposites attract, sort of

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Matilda the Musical review - a dizzying, smartly subversive delight

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Bones and All review - eat, don't heat

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The Band's Visit, Donmar Warehouse review - still waters run bittersweet

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Eureka Day, Old Vic review - fun if not entirely fulfilling

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101 Dalmatians, Regent's Park Open Air Theatre review - puppets rule in patchy musical

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Anything Goes, Barbican review - shipboard frivolity still fizzes, mostly

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A Doll's House, Part 2, Donmar Warehouse review - Noma Dumezweni nails it

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All My Friends Hate Me review - beware of the bilious

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Marys Seacole, Donmar Warehouse review - frustrating yet unflinching

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Anyone Can Whistle, Southwark Playhouse review - full-on bonkers

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Oscars 2022 - the smack heard around the world

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A Number, Old Vic review - revelatory yet again

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The Humans review - staring headlong into the abyss

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Best of 2021: Theatre

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Stephen Sondheim in memoriam - he gave us more to see

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latest in today

'We are bowled over!' Thank you for your messages... ...
Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

Album: Robert Plant - Saving Grace

Robert Plant is magnificently well-equipped to shine as a consummate musical survivor: not only has his voice kept its magic, with a range from...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...

Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review...

Anyone who has followed the trajectory of choreographer-director Michael Keegan-Dolan and his West Kerry-based company Teaċ Daṁsa (House of...