fri 22/02/2019

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Beast review - mesmerising and murky in equal measure

Read more...

Strictly Ballroom: The Musical, Piccadilly Theatre review - largely naff

Read more...

Kathleen Turner: Finding My Voice, The Other Palace review - a familiar name in freshly exciting form

Read more...

120 BPM review - stirring portrait of French activism in the age of AIDS

Read more...

Kiss of the Spider Woman, Menier Chocolate Factory review - brilliantly performed and imaginatively staged

Read more...

Caroline, or Change, Hampstead Theatre review - Sharon D Clarke conquers

Read more...

Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning Dane

Read more...

Oscars 2018: The shape of a snoozefest

Read more...

Game Night review - Rachel McAdams is bliss in bonkers comedy thriller

Read more...

The York Realist, Donmar Warehouse review - a miniaturist masterpiece

Read more...

Dry Powder/Yous Two, Hampstead Theatre review - Hayley Atwell has competition

Read more...

Phantom Thread review - Daniel Day-Lewis bows out in style

Read more...

All's Well That Ends Well, Sam Wanamaker Playhouse review - feisty, prickly and topical, as well

Read more...

Rita, Sue and Bob Too, Royal Court review - iconic 1980s title makes a welcome return

Read more...

My Mum's a Twat, Royal Court review - Patsy Ferran shines in a solo play that looks back in anger

Read more...

Best of 2017: Theatre

Read more...

Pages

latest in today

The Monstrous Child, Royal Opera, Linbury Theatre review - f...

Hel, heroine of Gavin Higgins and Francesca Simon’s new opera, is the illegitimate daughter of the Norse god Loki. In many ways The Monstrous...

Equus, Theatre Royal Stratford East review - thrilling physi...

There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social...

Sleeping with Extremists: The Far Right, Channel 4 review -...

It’s always interesting to see how presenters make their presence known in...

Jesus Hopped the 'A' Train, Young Vic review - sha...

An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train...

DVD: The Guilty

It’s another night in an emergency services dispatch room in...

Capernaum review - sorrow, pity and shame in the Beirut slum...

An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his...

Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review...

Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a...

Shipwreck, Almeida Theatre review - Trump-inflected fantasia...

Just when you think you may have heard (and seen) enough of ...

Keith? A Comedy, Arcola Theatre review - Molière mined for B...

Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy...