fri 04/10/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

White Noise, Bridge Theatre review - provocative if not always plausible

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Camp Siegfried, Old Vic review - the banality of evil, brilliantly served up

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Carousel, Regent's Park Open Air Theatre review - brave rewrite doesn't land

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Anything Goes, Barbican review - an explosion of joy

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Limbo review - quiet but voluble

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Bagdad Café, Old Vic review - sweet but scattershot

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Off the Rails review - go for the scenery, not the script

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French Exit review - Michelle Pfeiffer faces mortality

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J'Ouvert, Harold Pinter Theatre review - formless yet fabulous

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Under Milk Wood, National Theatre review - Michael Sheen at his most magnetic

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In the Heights review - to life, Lin-Manuel Miranda-style

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Anne Boleyn, Channel 5 review - whispery and weepy

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Surge review - jittery and joyless

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Trying, Apple TV+ review - the road to parenthood takes a fresh path

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Rare Beasts review - Billie Piper as triple threat

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The Pursuit of Love, BBC One review - extravagantly entertaining

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The Battle for Lakipia review - why post-colonial Kenya is a...

The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is...

Album: Coldplay - Moon Music

From the very first chords of "Yellow" in 2000, Coldplay have been an ever present at the summit of popular music's hierarchy. Their uncanny knack...

A Tupperware of Ashes, National Theatre review - family and...

Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in...

The Old Man and the Land review - dark secrets of a farming...

The Old Man and the Land depicts a worn-out sheep farmer going about his dreary business as the seasons pass, darkly and dankly. He does...

BBC Singers, BBCSO, Jeannin, Barbican review - from stormy w...

“Bold, ambitious, and good for the sector.” So said Charlotte Moore, the BBC chief content officer, who currently earns £468,000, in March last...

Nobodaddy, Teaċ Daṁsa, Dublin Theatre Festival review - supe...

Nobodaddy, taking its title from Blake’s violent dark-god “Father of Jealousy”, is much more than a dance piece, and Michael Keegan-Dolan...

10 Questions for Black String’s Youn Jeong Heo

The first K-Music festival landed in London for than a decade ago, and has brought an eclectic range of bands and musicians from Korea to the...

Béatrice et Bénédict, Irish National Opera, National Concert...

As Fiona Shaw’s shiningly free and easy narration told us, Shakespeare’s sparring Beatrice and Benedick are merely counterpoint to a supposedly...

Alice's Adventures in Wonderland, Royal Ballet review -...

In many ways Lewis Carroll’s 1865 compendium of literary nonsense is ideal material for...