Matt Wolf
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.
Articles By Matt Wolf
latest in today
The Monstrous Child, Royal Opera, Linbury Theatre review - f...
Hel, heroine of Gavin Higgins and Francesca Simon’s new opera, is the illegitimate daughter of the Norse god Loki. In many ways The Monstrous...
Equus, Theatre Royal Stratford East review - thrilling physi...
There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social...
Sleeping with Extremists: The Far Right, Channel 4 review -...
It’s always interesting to see how presenters make their presence known in...
Jesus Hopped the 'A' Train, Young Vic review - sha...
An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train...
Tartuffe, National Theatre review - morality-heavy version o...
Here's a recipe for a successful National Theatre...
Capernaum review - sorrow, pity and shame in the Beirut slum...
An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his...
Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review...
Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a...
Shipwreck, Almeida Theatre review - Trump-inflected fantasia...
Just when you think you may have heard (and seen) enough of ...
Keith? A Comedy, Arcola Theatre review - Molière mined for B...
Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy...