wed 09/07/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Theatre Lockdown Special 3: Mary Shelley twice over, Europe writ large, and one day more for a mega-musical

Read more...

Theatre Lockdown Special 2: Birthdays aplenty, songs of hope, a starry quiz - and more

Read more...

Cuck review - tediously nihilistic

Read more...

Theatre Lockdown Special 1: Starry podcasts, late-career Shakespeare, a celebrity basement - and more

Read more...

Twelfth Night, RSC/Stratford-upon-Avon online review - inventive but underfelt

Read more...

Flowers for Mrs Harris, Chichester Festival Theatre online review - a warmly open-hearted weepie

Read more...

Wonderland, Hampstead Theatre online review - a major play about the miners

Read more...

Cyprus Avenue, Royal Court Theatre online review - a mind in mesmerising meltdown

Read more...

Wild, Hampstead Theatre online review - timelier than anticipated

Read more...

Sondheim at 90: adults will listen

Read more...

Love, Love, Love, Lyric Hammersmith review - a stinging revival

Read more...

On Blueberry Hill, Trafalgar Studios review - superb acting, specious plot

Read more...

Pretty Woman: The Musical, Piccadilly Theatre review - not so pretty, actually

Read more...

Be More Chill, The Other Palace review - more exhausting than enlightening

Read more...

A Number, Bridge Theatre review - a dream team dazzles anew

Read more...

The Visit, National Theatre review - star turn bolsters baggy rewrite

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
First Person: country singer Tami Neilson on the superpower...

I was born Tamara Lee Neilson. I had an Uncle Kenny and an Aunt Dolly (who played guitar and banjo, respectively). I mean, did I really have a...

Album: Gwenno - Utopia

Stylistically, Utopia wears multiple faces. Opening cut “London 1757” drifts by like a twig floating upon an unhurried stream. Next, “...

Live Aid at 40: When Rock'n'Roll Took on the World...

“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s...

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk...

Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there...

Blu-ray: A Hard Day's Night

Andrew Sarris, doyen of auteurist film critics, dubbed A Hard Day’s Night “the Citizen Kane of jukebox musicals”. Wild over-...

Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...

Album: Olafur Arnalds and Talos - A Dawning

Silken ambience is the name of the game on this set from Icelandic composer-producer Olafur Arnalds and dreampop singer Talos, aka Eoin French,...

Music Reissues Weekly: Motörhead - The Manticore Tapes

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...