tue 19/03/2024

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Plus One review - charm, yes, but irritation too

Read more...

The Sunset Limited, Boulevard Theatre review - all talk, no theatre

Read more...

You Stupid Darkness!, Southwark Playhouse review - an intriguing muddle

Read more...

Best of 2019: Theatre

Read more...

Curtains, Wyndham's Theatre review - unexpectedly giddy fun

Read more...

Teenage Dick, Donmar Warehouse review - a fearlessly acted, well-intentioned mess

Read more...

Ordinary Love review - small but (almost) perfectly formed

Read more...

The Boy Friend, Menier Chocolate Factory review - fun but featherweight

Read more...

The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?

Read more...

White Christmas, Dominion Theatre review - breezy but bland

Read more...

Harriet review - potentially stirring biopic proves a slog

Read more...

The Antipodes, National Theatre review - mysterious and gently momentous

Read more...

Little Baby Jesus, Orange Tree Theatre review - an early play thrillingly alive for now

Read more...

Vassa, Almeida Theatre review - delayed opening doesn't land

Read more...

Groan Ups, Vaudeville Theatre review - adding ambition and emotion to the mix

Read more...

Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding form

Read more...

Pages

latest in today

St Mary's Music School, RSNO, Søndergård, Usher Hall, E...

For the second year in a row the Royal Scottish National...

Manhunt, Apple TV+ review - all the President's men

President Abraham Lincoln was assassinated on 14 April 1865, five days after General Robert E Lee’s surrender at Appomatox signalled the end of...

Blu-ray: Beautiful Thing

Beautiful Thing’s opening scene plays out like a sweary take on Bill Forsyth’s Gregory’s Girl, Meera Syal’s potty-mouthed PE...

Bevan, Williams, BBCSO, MacMillan, Barbican review - inspira...

It began with the tolling of a lone bell and ended in a transcendent blaze of golden light. The UK premiere of James MacMillan’s Fiat Lux...

Salome, Irish National Opera review - imaginatively charted...

“Based on the play by Oscar Wilde,” declared publicity on Dublin buses and buildings, reminding opera-cautious citizens that the poet whose text...

Album: Elbow - Audio Vertigo

On this, their 10th album, the melodious...

First Person: conductor Peter Whelan on coming full circle w...

There's something undeniable about the way music can weave itself into the fabric of our lives, shaping our passions and leaving an indelible...

Music Reissues Weekly: The Mystic Tide - Frustration

Crashing chords are followed by a spindly, untrammelled solo guitar. After this subsides, the singer lays out the issue: “I try, I cry, I just can...

Hughes, SCO, Kuusisto, Queen’s Hall, Edinburgh review - Clyn...

Most concert promoters will tell you that contemporary music tends to be, to put it politely, a tricky sell, which is one of the reasons why it’s...

The New Boy review - a mystical take on Australia's tre...

This is writer-director Warwick Thornton’s third...