tue 01/07/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Moxie review - likeable if confused high school comedy

Read more...

To Olivia review - Keeley Hawes rises above brainless biopic

Read more...

Penguin Bloom, Netflix review - stirringly acted if sentimental

Read more...

Blithe Spirit review - cloth-eared Coward

Read more...

Best of 2020: Theatre

Read more...

A Christmas Carol, Old Vic online review - the bells have it once again

Read more...

A Christmas Carol, Dominion Theatre review - brash and bustling and snowy, too

Read more...

I'm Your Woman review - what's happening, indeed?

Read more...

The Dumb Waiter, Hampstead Theatre review - menace without a hint of mirth

Read more...

The Prom review - merry Meryl in middling musical

Read more...

GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' roll

Read more...

Uncle Frank review - well-acted but painfully contrived

Read more...

No Hard Feelings review - tough-minded yet tender

Read more...

Words on Bathroom Walls review - well-meaning but glib

Read more...

Death of England: Delroy, National Theatre review - a furious if fleetingly seen sequel

Read more...

Nine Lives, Bridge Theatre review - engaging if slim finale to ambitious solo season

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...