thu 21/02/2019

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Maudie review - intriguing and irritating in turn

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Road, Royal Court review - poetry amidst the pain

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Mosquitoes, National Theatre review - Olivias Colman and Williams dazzle amid dramatic excess

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Cat on a Hot Tin Roof, Apollo Theatre review - Sienna Miller lets rip

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Dessert, Southwark Playhouse review - undercooked and overwrought

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The Beguiled review - silly but seriously well-made

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The Last Word film review - Shirley MacLaine's spit and vinegar remain intact

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Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuff

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Gloria, Hampstead Theatre review – pretty glorious

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Hampstead review - Diane Keaton deserves better and so does London

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My Cousin Rachel review - du Maurier remake too florid by half

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Annie review - a 12-year-old star is born

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Lettice and Lovage, Menier Chocolate Factory review - Peter Shaffer's star vehicle sags

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The Secret Scripture review - Jim Sheridan's turgid homecoming

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Occupational Hazards, Hampstead Theatre review - vivid outline in search of a fuller play

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Angels in America, National Theatre review - Andrew Garfield and company soar in seismic revival

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latest in today

Capernaum review - sorrow, pity and shame in the Beirut slum...

An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his...

Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review...

Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a...

Shipwreck, Almeida Theatre review - Trump-inflected fantasia...

Just when you think you may have heard (and seen) enough of ...

Keith? A Comedy, Arcola Theatre review - Molière mined for B...

Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy...

Crackdown 3 review - spectacular super-powered action that w...

Did you play videogames back in 2010? If you did, there’s a reasonable...

Bodies, Southwark Playhouse review - shaky revival misses th...

Bodies is the latest in Two's Company's series of what they deem "forgotten masterworks", this one making a less-than-triumphant return...

DVD/Blu-ray: Dawson City - Frozen Time

Bill Morrison’s Dawson City: Frozen Time is an intoxicating...

Only Fools and Horses, Theatre Royal Haymarket review - roll...

It was TV gold-dust. The original seven series of Only Fools and Horses were broadcast on BBC One from 1981-1991, and a string of...

Hussain, Symphony Orchestra of India, Dalal, Symphony Hall,...

For its first ever performance in this country, the Symphony Orchestra of...

All in a Row, Southwark Playhouse, review - soapy and shrill...

Time once again to roll out that line about the road to hell being paved with good intentions. The creators of All in a Row, a...