thu 18/04/2019

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Game Night review - Rachel McAdams is bliss in bonkers comedy thriller

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The York Realist, Donmar Warehouse review - a miniaturist masterpiece

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Dry Powder/Yous Two, Hampstead Theatre review - Hayley Atwell has competition

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Phantom Thread review - Daniel Day-Lewis bows out in style

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All's Well That Ends Well, Sam Wanamaker Playhouse review - feisty, prickly and topical, as well

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Rita, Sue and Bob Too, Royal Court review - iconic 1980s title makes a welcome return

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My Mum's a Twat, Royal Court review - Patsy Ferran shines in a solo play that looks back in anger

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Best of 2017: Theatre

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The Grinning Man, Trafalgar Studios review - cool puppets but too convoluted by half

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Belleville, Donmar Warehouse review - prickly and unnerving

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Cell Mates, Hampstead Theatre review - intriguing yet opaque

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Happy End review - grimly compelling but to what end?

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Wonder review - sweet and smart but sometimes also schmaltzy

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Network, National Theatre review - Bryan Cranston’s searing London stage debut

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Howards End, BBC One review - EM Forster adaptation is finding its footing

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Call Me By Your Name review - a star is born in a heartbreaking gay romance

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Bananarama are one of the most successful girl groups of all time. Consisting of Sara Dallin and Keren Woodward, the band’s third original member...

Climate Change: The Facts, BBC One review - how much reality...

Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the...

Dragged Across Concrete review - Mel Gibson's hard-boil...

Mel Gibson’s vile drunken rants a decade ago, his 63 years and the price of both inform his role as...

CD: The O'Jays - The Last Word

How to put a full-stop on an over 50 year recording career? For multiple Music Hall of Fame-rs The O’Jays, the answer...

Trust Me, Series 2, BBC One review - hospital killer chiller...

Great, a new drama not by the Williams brothers. Instead it’s...

Greta review – Isabelle Huppert goes full psycho in eccentri...

Isabelle Huppert is famed for the chilly intensity of many of her ...

Javier Perianes, QEH review - not a Spanish fire-eater but a...

Expect no cliches about toreador pianism. Red-earth flamboyance is...

Three Sisters, Almeida Theatre review - middle of the road w...

About a year ago, director Rebecca Frecknall electrified this...