Matt Wolf
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.
Articles By Matt Wolf
latest in today
Reissue CDs Weekly: Manchester - A City United In Music
Full marks for shoehorning-in the names of city’s two major football teams into the title of ...
Tana French: The Wych Elm review - a lucky man and his downf...
A Tana French crime novel is never just a thriller. Probably more acclaimed in the USA than the UK (she gets rave reviews in the New Yorker...
Q&A Special: Actor Bruno Ganz on playing Hitler
There is nothing quite like the Iffland-Ring in this country. The property of the Austrian state, for two centuries it has been awarded to the...
A Private War review - Rosamund Pike burns with passion in w...
The Sunday Times war correspondent Marie...
Mektoub, My Love: Canto Uno review - cold carnal overdose fr...
Abdellatif Kechiche, the Tunisian-French...
The Magic Flute, Welsh National Opera review - charming to h...
I last saw this Magic Flute, directed by Dominic...
CD: Avril Lavigne - Head Above Water
Avril Lavigne was the original Punk Pop Queen. Fearless, feisty and...
Berberian Sound Studio, Donmar Warehouse review – improves t...
Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below...