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Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Prom review - merry Meryl in middling musical

Wednesday, 09 December 2020 Read more...

GHBoy, Charing Cross Theatre review - drugs and sex but no rock 'n' roll

Tuesday, 08 December 2020 Read more...

Uncle Frank review - well-acted but painfully contrived

Saturday, 28 November 2020 Read more...

No Hard Feelings review - tough-minded yet tender

Saturday, 14 November 2020 Read more...

Words on Bathroom Walls review - well-meaning but glib

Saturday, 07 November 2020 Read more...

Death of England: Delroy, National Theatre review - a furious if fleetingly seen sequel

Thursday, 05 November 2020 Read more...

Nine Lives, Bridge Theatre review - engaging if slim finale to ambitious solo season

Monday, 26 October 2020 Read more...

The Lie review - icily intriguing until it isn't

Saturday, 10 October 2020 Read more...

Hermione Lee: Tom Stoppard, A Life review - the last word on a theatrical wordsmith

Wednesday, 07 October 2020 Read more...

Nights in the Garden of Spain & Miss Fozzard Finds Her Feet, Bridge Theatre review - potent mix of pain and comedy

Sunday, 04 October 2020 Read more...

Rialto review - beautifully acted but relentless

Saturday, 03 October 2020 Read more...

Playing Sandwiches & A Lady of Letters, Bridge Theatre review - the darkness dazzles, twice over

Thursday, 01 October 2020 Read more...

Broken Hearts Gallery review - effortfully entertaining

Friday, 11 September 2020 Read more...

Rose, Hope Mill Theatre online review - a performer at her peak

Thursday, 10 September 2020 Read more...

Get Duked! review - briefly endearing, then a chore

Friday, 28 August 2020 Read more...

Declan, Traverse Theatre online review - compressed and compelling

Friday, 28 August 2020 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Monster of Florence, Netflix review - dramatisation of n...

The problem with making...

Mary Page Marlowe, Old Vic review - a starry portrait of a s...

I came late to the Old Vic's shimmering production of Mary Page Marlowe, Tracy Letts's Off Broadway play from 2018 which has arrived in...

Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...