mon 20/05/2019

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Uncle Vanya, Almeida Theatre

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Ma Rainey's Black Bottom, National Theatre

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Spotlight

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Room review - when a house is not a home

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Grey Gardens, Southwark Playhouse

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Guys and Dolls, Savoy Theatre

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Best of 2015: Theatre

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In the Heart of the Sea

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Dr Seuss's The Lorax, Old Vic

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The Dazzle, FOUND111

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Peter Pan Goes Wrong, Apollo Theatre

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Hapgood, Hampstead Theatre

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Here We Go, National Theatre

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Evening at The Talk House, National Theatre

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The Dressmaker

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The Lady in the Van

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Gentleman Jack, BBC One review - the revolutionary life of A...

In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new...

Al Murray as the Pub Landlord, Embassy Theatre Skegness revi...

Al Murray's Pub Landlord character has been around since the mid-1990s. As such, it's a wonder that Murray has managed to reinvent the embittered...

Chamber Music, Brighton Festival 2019 review - Wu-Tang Clan...

Martial arts mayhem, Shaolin philosophy, a tribe of masked hip hop warriors emerging from the mist of Staten Island...

Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festiva...

Much of Rokia Traoré’s set tonight comprises folk songs about...

CD: Sting - My Songs

Some say that every successful rock star's career can be divided into three phases. First comes the youthful exuberance. Next, there's mature...

What We Do In the Shadows, BBC Two review - black comedy vam...

This is a toothsome treat for Sunday nights and one of those rare occasions when the...

First Person: Ellen McDougall on finding the commonality in...

I’ve wanted to direct Thornton Wilder’s Our Town for a long time.

The play is beautifully written and its form feels not only...

Cannes 2019: Pain and Glory review - a dour, semi-autobiogra...

There’s a touch of Fellini’s 8 ½ in Pedro Almodóvar’s latest film. It’s a forlorn, confessional tale, with Antonio Banderas starring as...

Thomas Harris: Cari Mora review – mayhem in Miami

This March, a real-estate office in Miami Beach, Florida, put a parcel of prime seafront land on the market. A vacant estate with plans filed for...

Reissue CDs Weekly: Ronnie Lane

It was inevitable that Rod Stewart’s distracting solo adventures would eventually kill off...