wed 12/02/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art

Read more...

Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home

Read more...

A Star is Born review - Bradley Cooper and Lady Gaga make a compellingly combustible duo

Read more...

The Wife review - Glenn Close deserves better from her latest Oscar bid

Read more...

Foxfinder, Ambassadors Theatre review - too ponderous by half

Read more...

Sir Peter Hall: a day of thanksgiving and celebration for a colossus of culture

Read more...

The Seagull review - Chekhov classic gets the all-star treatment

Read more...

£¥€$ (LIES), Almeida Theatre review - financial frolics at the gaming table

Read more...

h 100 Awards: Theatre and Performance - excellence and inclusion across the map

Read more...

Home, I'm Darling, National Theatre review - Katherine Parkinson in career-best form

Read more...

Spamilton, Menier Chocolate Factory review - fun if overstuffed

Read more...

Pity, Royal Court review - whacked-out and wearing

Read more...

Mamma Mia! Here We Go Again review - sweet, silly, and, best of all, Cher

Read more...

The Lehman Trilogy, National Theatre review - an acting tour de force

Read more...

The Lieutenant of Inishmore, Noel Coward Theatre review - Aidan Turner makes a magnetic West End debut

Read more...

The Bookshop review - lost in translation

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Manic Street Preachers - Critical Thinking

Manic Street Preachers’ earnest and literate pretentiousness is both their Achilles Heel and their superpower. Their greatest songs are amped by...

Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...

For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...

Bowling For Soup, Civic Hall, Wolverhampton review - nostalg...

Bowling For Soup are celebrating their iconic album, A Hangover You Don’t Deserve, on a fun-filled, energetic tour for its 20th...

Philip Marsden: Under a Metal Sky review - rock and awe

Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides....

Blu-ray: High and Low

Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various...

The Years, Harold Pinter Theatre review - a bravura, joyous...

Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...

Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...

“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.

The brilliance of...

Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...

It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...