thu 15/05/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Cell Mates, Hampstead Theatre review - intriguing yet opaque

Read more...

Happy End review - grimly compelling but to what end?

Read more...

Wonder review - sweet and smart but sometimes also schmaltzy

Read more...

Network, National Theatre review - Bryan Cranston’s searing London stage debut

Read more...

Howards End, BBC One review - EM Forster adaptation is finding its footing

Read more...

Call Me By Your Name review - a star is born in a heartbreaking gay romance

Read more...

Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visuals

Read more...

Young Frankenstein review - Mel Brooks musical is blissfully bonkers

Read more...

The Glass Castle review - Woody steals the film by a wide margin

Read more...

Home Again review - Reese Witherspoon romcom is divorced from reality

Read more...

Borg/McEnroe review - Wimbledon face-off is entertaining if incomplete

Read more...

Victoria and Abdul review - Judi Dench's Queen Victoria retread battles creaky script

Read more...

Peter Hall: A Reminiscence

Read more...

Una review - 'Blackbird' adaptation loses its stage intensity

Read more...

h.Club 100 Awards: Theatre and Performance - is this a new golden age for the stage?

Read more...

Maudie review - intriguing and irritating in turn

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

Album: Billy Nomates - Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...