mon 06/10/2025

Film Reviews

An American Pickle review - sweet and sour screwball comedy

Joseph Walsh

Seth Rogen offers up double the laughs by taking on both lead roles in a time-hopping, Rip-Van-Winkle screwball comedy, but with an oddly mixed conservative message about the merits of family and...

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Young Ahmed review - jihadist drama misses the mark

Owen Richards

Belgian filmmaking duo the Dardenne Brothers have long been darlings of Cannes Film Festival, winning awards for hardhitting dramas like La Promesse, Le Silence de Lorna and The Kid with the Bike.

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Proxima review - family frays before lift-off

Nick Hasted

This sober French space movie is concerned with what a female astronaut leaves behind on Earth, not what she finds in the cosmic dark. Sarah (Eva Green) has been selected for a European Space Agency mission towards Mars, realising a childhood dream.

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Make Up review – coming of age in creepy Cornwall

Graham Fuller

Minutes into Make Up, Claire Oakley’s auspicious first feature as writer-director, unearthly sounds welcome unwitting Ruth (Molly Windsor) to her intimidating baptismal adventure as an 18-year-old who's not so much bi-curious as bi-phobic. A nail-biter to begin with, she’s soon hearing and seeing portents of horror everywhere, not least on the tips of her fingers.

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Unhinged review - road-rage Russ goes gonzo

Adam Sweeting

It may be one of the first movies to be shown in cinemas post-lockdown, but Unhinged is a pale ghost of some much better movies.

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Infamous review - Bonnie and Clyde for the digital age fails to deliver

Joseph Walsh

Like a sub-par Natural Born Killers for Gen Z, director-screenwriter Joshua Caldwell’s latest film, featuring Disney-child-star-turned-porn-director Bella Thorne, tackles the perils of social media like a parent trying to navigate TikTok. 

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Coincoin and the Extra-Humans review – God's gunk

Graham Fuller

It’s no accident that the eponymous young antihero of Coincoin and the Extra-Humans loses his virginity to the daughter of a French white nationalist in a field close to a sewage farm.

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Saint Frances review - relatable and honest

Markie Robson-Scott

“I’m for sure getting rid of it,” 34-year-old Bridget (cool, understated Kelly O’Sullivan, who also wrote the script; she was creatively inspired by Greta Gerwig's Lady Bird) tells her younger, casual boyfriend Jace (an endearing Max Lipchitz) when she finds out she’s pregnant.

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How to Build a Girl review - riotous fun

Owen Richards

Ever felt like you could express yourself more freely, if only you could get away from everything that made you who are?

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Piranhas review - riding with the teenage gangs of Naples

Adam Sweeting

Roberto Saviano’s book Gomorrah shone a blinding light on the Camorra crime clans of Naples, and spun off an acclaimed film and equally admired TV series.

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Come As You Are review - a road trip with a difference

Owen Richards

At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and relevancy to this tired trope.

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Good Manners review - compellingly eerie

Matt Wolf

Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise.

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Clemency review - devastating death row drama

Joseph Walsh

“All we want is to be seen and heard,” explains a lawyer to a death row inmate, paraphrasing a line from Ralph Ellison’s novel Invisible Man, from which Chinonye Chukwu’s new film Clemency takes inspiration.

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DVD/Blu-ray: Moffie

India Lewis

Characterised by jarring juxtapositions of intense, appalling violence and the serene beauty of South AfricaOliver Hermanus’ fourth feature is the story of a young man coming to terms with his sexuality against the background of apartheid and prejudice.

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Love Sarah review - missing key ingredients

Matt Wolf

The cakes look great, but it's back to the recipe books in almost every other way for Love Sarah, a subpar film from director Eliza Schroeder about the struggles of a west London patisserie in the age of Brexit.

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Scoob! review - mostly bark, little bite

Owen Richards

Scooby fans have waited over 50 years for a proper big screen adaptation of everyone’s favourite cowardly dog (sorry Cartoon Network’s Courage).

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