tue 07/04/2020

crime

Ozark, Series 3 review, Netflix - money-laundering saga hits new heights

While not the most headline-catching show on Netflix, Ozark has been steadily accruing critical accolades (including a couple of Emmys) and a devoted audience. Perhaps this superb third series will mark the tipping point where Ozark crosses over...

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Liar, Series 2, ITV review - more crime-by-numbers from the Williams brothers

The first series of Liar, one of many thrillers from the fertile keyboards of Jack and Harry Williams, was on ITV back in 2017, so you may have forgotten the somewhat labyrinthine details. In a nutshell, smarmy surgeon and serial rapist Andrew...

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How To Stay out of Jail, Channel 4 review – a bold rehabilitation programme from Durham police

With prison overcrowding reaching chronic proportions, police in County Durham have developed the Checkpoint programme to try to keep offenders out of jail with rehabilitation in the community. It’s like Felons Anonymous – candidates have to sign a...

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First Love review - Miike delivers thrills and spills

He's one of Japan's foremost directors, and if you’ve witnessed one of his films before, you know what to expect from a Takashi Miike yakuza film. High-octane, boundary pushing fun from first frame to last. And that’s exactly what First Love is.The...

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Queen & Slim review - a stylish and raw tale of outlaws on the lam

There’s a palpable rage to Melina Matsoukas’ first feature film Queen & Slim, starring Get Out’s Daniel Kaluuya and newcomer Jodie Turner-Smith. Cast in the mould of Bonnie and Clyde, it’s a film that has you clinging to the arms of your seat...

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Deadwater Fell, Channel 4 review - dark murder mystery in a Scottish village

An idyllic Scottish classroom full of happy children making sponge paintings of flowers with two enthusiastic young teachers – clearly, doom is in the air. Here comes that sense of dread again a little later at a ceilidh in a village hall, with...

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White House Farm, ITV review - gripping opener of true crime drama

It's the smallest lies that can bring you down. When he is asked by a detective how he got on with his family, who have just been murdered in a mass shooting at their Essex farm, Jeremy Bamber (Freddie Fox) says: “Really well. We were friends.” A...

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The Gentlemen review - it ain't woke but don't fix it

Guy Ritchie enjoyed his greatest commercial success with 2019’s live-action fantasy Aladdin, the most atypical project of his career, but The Gentlemen finds him back on his best-known turf as a purveyor of mouthy, ultra-violent geezerism. It’s 21...

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The Courier review – lacklustre hit job goes bad in every way

The Courier is a split entity that comprises two interlinked parts. One half involves a silent Gary Oldman who occasionally becomes hysterically enraged, the other a furious Olga Kurylenko who is never allowed a moment of silence. Director Zackary...

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Motherless Brooklyn review – tic tec

Edward Norton has wanted to adapt Motherless Brooklyn since Jonathan Lethem’s acclaimed novel was first published 20 years ago. His film (as producer, writer, director and star) is an obvious labour of love, an evocative, entertaining, old-fashioned...

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Charlie's Angels review - feminism-lite action comedy

“Badass” – as applied to dynamic women – and “girl power” may be the kinds of exhausted clichés that are reductive in the #MeToo and Time’s Up era, but the new Charlie’s Angels movie revitalises the attitude they describe in a way that’s neither...

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Knives Out review - marvellous murder mystery

The world’s most successful mystery writer is found dead on the morning after his 85th birthday. In attendance in his Gothic pile are his bickering family, each of whom might wish him dead, and a colourful detective ready to determine whodunnit...

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