wed 21/11/2018

crime

Siberia review - Keanu Reeves's duff Russian mission

It is appropriate that Keanu Reeves sounds especially croaky and muffled throughout Siberia. Business meetings for his character Lucas Hill (a diamond trader) don’t normally involve much talk, just a swift briefcase handover and a confidential...

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Michael Connelly: Dark Sacred Night review - a pairing of loner detectives

The master of the Southern California police procedural is back. In Dark Sacred Night Michael Connelly puts centre stage his oldest creation, the Vietnam veteran turned original, ethical policeman who marches to his own moralities, Hieronymous – aka...

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Dogman review - Matteo Garrone takes on the mafia again

There aren’t many movies that cater to audiences with a passion for canine grooming, the mafia and dismal seaside resorts but Dogman more than satisfies all those cravings. Ten years after Matteo Garrone won Cannes with the searingly brutal Gomorrah...

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The Outsider, Print Room at the Coronet review - power in restraint

As the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement – between an Englishman and a Frenchman – would cause more than a century of political resentment in the Arab world, The Outsider seems...

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Never Here review - conceptual art may damage your health

Beware the hidden powers of the cellphone. When in Never Here New York conceptual artist Miranda Fall (Mireille Enos) finds a stranger’s phone, she uses it as the basis for her next art show, tracking down and interviewing the owner’s contacts,...

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Strangers, episode 2, ITV review - conspiracy theories multiply

You might consider it odd that a man whose wife spends half the year in Hong Kong without him hasn’t managed to get around to catching a plane from Heathrow to visit her in the Far East, but that is the case with Jonah Mulray, the stressed-out...

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Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature

In a small town on the Polish-Czech border where the mobile signal wanders between countries’ operators and only three inhabitants stick it out through the winter, animals are wreaking a terrible revenge. The bodies of murdered men, united in their...

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Yardie review - Idris Elba shoots straight in his directorial debut

The first significant British film to explore the influence of Jamaican sound systems in London was Babylon. Shot in 1980, its street patois was deemed impenetrable enough to merit subtitles. Times change. Yardie revisits the same world and era – it...

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Greed as the keynote: Robert Carsen on the timelessness of 'The Beggar's Opera'

In the time of composer John Gay, greed and self-interest were the main motives for life; and his work The Beggar’s Opera is an open critique on the way that society behaved. The work’s opening number sets the tone, basically saying: “we all abuse...

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Murder in Soho: Who Killed Freddie Mills?, BBC Four review - cold case solved?

They don’t make boxers like Freddie Mills any more. A granite lump of grinning charisma, he had a brow and jawline straight from a kids’ cartoon and, despite his humble origins and thuggish contours, a charmingly well-to-do voice. Mills was light...

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A Sicilian Ghost Story review - a beautiful, confusing journey

Childhood is an inimitable experience – the laws of the world are less certain, imagination and reality meld together, and no event feels fixed. A Sicilian Ghost Story recreates this sensation in the context of real world trauma, producing a...

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Hidden, Series Finale, BBC Four review - a whydunnit, not a whodunnit

Some contend that this Snowdonia-set mystery was a Scandi hommage too far, a mere recycler of gloom-shrouded riffs familiar from the likes of The Bridge or The Killing. Well yes, there was that element to it, but if you stuck with it it grew into...

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