sat 24/05/2025

Film Reviews

Danger Close review - the Vietnam war from an Australian perspective

Adam Sweeting

The battle of Long Tan in Vietnam isn’t well known to the casual observer, but it has entered the military folklore of Australia and New Zealand.

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Trolls World Tour review - a visual spectacle full of toe-tapping tunes

Joseph Walsh

The world might have changed drastically in the wake of Covid-19, but thankfully those hyperactive, candy-coloured Trolls haven’t.

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The Beast review - bad cop blues

Nick Hasted

“They say we all have a beast locked up inside of us,” a character observes early in this Korean crime movie. Monsters are certainly chewing at the moral fibre of police captains Jung (Lee Sung-min) and Han (Yoo Jae-myung) as they corruptly pursue promotion.

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The Iron Mask review - preposterous multi-national fantasy

Adam Sweeting

Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan...

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The Platform review - timely, violent and effective

Owen Richards

Horror has always been a good vehicle for satire, from John Carpenter’s They Live to Jordan Peele’s Get Out. Some metaphors opt for the subtle precision of a surgical knife, and others the hit you over the head. The Platform on Netflix is the latter, a brutal, blunt and effective sledgehammer.

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Four Kids and It review – a family friendly yarn that needs more magic

Joseph Walsh

With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and divorce. In 2012, in something of a detour from the rest of her work, she wrote a sequel of sorts to E.

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Bacurau review – way-out western

Demetrios Matheou

After his two mysterious, tightly-coiled and idiosyncratic first features, Neighbouring Sounds and Aquarius, the masterful Brazilian director Kleber Mendonça Filho lets his hair down with an exhilarating, all-guns-blazing venture into genre.  

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The Whalebone Box review - documentary through unreliable surrealism

Owen Richards

The UK-wide lockdown has thrown the cinematic release schedule into chaos. Some films are postponed indefinitely, while others have opted for direct digital releases. It’s not ideal for anyone, but in a strange way it may play to The Whalebone Box’s favour. Specialist arthouse streaming service MUBI has secured the exclusive rights, and their captive subscribers are the ideal audience for such a strange, hypnotic piece.

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The Perfect Candidate review - seeking status for women in Saudi

Tom Birchenough

Saudi director Haifaa Al Mansour is back on home territory with her new film, and you’ll recognise much here from her characterful 2012 debut Wadjda, itself the first-ever feature to emerge from her home country.

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Vivarium review – housing ladder to hell

Nick Hasted

Imagine being trapped in your perfect home forever. It’s easy if you try now, as Vivarium’s allegory about property and parenthood is deepened by events.

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System Crasher review – a compelling portrait of childhood violence and pain

Joseph Walsh

Benni, the central character in German writer-director Nora Fingscheidt's haunting new film, has a life of tragedy and violence.

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Fire Will Come review - slow-burning Spanish beauty

Nick Hasted

This lovely, contemplative Cannes prize-winner has something to teach us in testing times. Filmed in director Oliver Laxe’s grandparents’ Galician village, it observes convicted arsonist Amador’s return from jail to the fire-prone landscape he’s blamed for devastating....

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The Truth review - a potent Franco-Japanese pairing

Tom Birchenough

It may offer veteran French star Catherine Deneuve as substantial and engaging a role as she has enjoyed in years, but the real surprise of The Truth is that it’s the work of Japan’s Hirokazu Kore-eda.

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Run review – wheels on fire in Scotland

Graham Fuller

Run is the story of disgruntled 36-ish Finnie (Mark Stanley), a big, dour worker in a fish processing plant in the Aberdeenshire port of Fraserburgh – writer-director Scott Graham’s hometown.

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Calm with Horses review - a stirring debut

Saskia Baron

Nick Rowland marks his breakout from TV drama with this very competent feature, an adaptation of Colin Barrett’s short story.

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Toni Morrison: The Pieces I Am review - a fitting tribute to a masterful storyteller

Joseph Walsh

When the Nobel Prize-winning author Toni Morrison died last year, it was a chance to celebrate the remarkable life of a storyteller who shook the literary establishment. Her work, including her debut novel The Bluest Eye, broke radical new ground in depicting African American life.

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