Film Reviews
Infamous review - Bonnie and Clyde for the digital age fails to deliverThursday, 30 July 2020
Like a sub-par Natural Born Killers for Gen Z, director-screenwriter Joshua Caldwell’s latest film, featuring Disney-child-star-turned-porn-director Bella Thorne, tackles the perils of social media like a parent trying to navigate TikTok. Read more... |
Coincoin and the Extra-Humans review – God's gunkMonday, 27 July 2020
It’s no accident that the eponymous young antihero of Coincoin and the Extra-Humans loses his virginity to the daughter of a French white nationalist in a field close to a sewage farm. Read more... |
Saint Frances review - relatable and honestFriday, 24 July 2020
“I’m for sure getting rid of it,” 34-year-old Bridget (cool, understated Kelly O’Sullivan, who also wrote the script; she was creatively inspired by Greta Gerwig's Lady Bird) tells her younger, casual boyfriend Jace (an endearing Max Lipchitz) when she finds out she’s pregnant. Read more... |
How to Build a Girl review - riotous funThursday, 23 July 2020
Ever felt like you could express yourself more freely, if only you could get away from everything that made you who are? Read more... |
Piranhas review - riding with the teenage gangs of NaplesThursday, 23 July 2020
Roberto Saviano’s book Gomorrah shone a blinding light on the Camorra crime clans of Naples, and spun off an acclaimed film and equally admired TV series. Read more... |
Come As You Are review - a road trip with a differenceSaturday, 18 July 2020
At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and relevancy to this tired trope. Read more... |
Good Manners review - compellingly eerieSaturday, 18 July 2020
Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise. Read more... |
Clemency review - devastating death row dramaThursday, 16 July 2020
“All we want is to be seen and heard,” explains a lawyer to a death row inmate, paraphrasing a line from Ralph Ellison’s novel Invisible Man, from which Chinonye Chukwu’s new film Clemency takes inspiration. Read more... |
DVD/Blu-ray: MoffieTuesday, 14 July 2020
Characterised by jarring juxtapositions of intense, appalling violence and the serene beauty of South Africa, Oliver Hermanus’ fourth feature is the story of a young man coming to terms with his sexuality against the background of apartheid and prejudice. Read more... |
Love Sarah review - missing key ingredientsSaturday, 11 July 2020
The cakes look great, but it's back to the recipe books in almost every other way for Love Sarah, a subpar film from director Eliza Schroeder about the struggles of a west London patisserie in the age of Brexit. Read more... |
Scoob! review - mostly bark, little biteSaturday, 11 July 2020
Scooby fans have waited over 50 years for a proper big screen adaptation of everyone’s favourite cowardly dog (sorry Cartoon Network’s Courage). Read more... |
Finding The Way Back review - alcoholism on the reboundFriday, 10 July 2020
Gavin O’Connor has made a career out of sturdy films that make grown men cry. His best was Warrior - a hulking, tear-jerking tale of male fragility and addiction. His latest Finding The Way Back is a potent, raw drama that explores similar terrain and reunites him with Ben Affleck (they last worked together on The Accountant). Read more... |
Litigante review - an unflashy film which rings trueFriday, 10 July 2020
Colombian director Franco Lolli’s debut feature Gente de Bien (2014) was a hit at several international film festivals, and Litigante should burnish his reputation further. Read more... |
The Old Guard review - serious sillinessThursday, 09 July 2020
It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare commodity these days. Read more... |
Homemade review - laughs, loss and madness in lockdownSaturday, 04 July 2020
If COVID-19 isn’t the only topic being tackled by creative folk at the moment, it certainly feels like it. That’s perfectly understandable, when the practical and emotional conditions of doing anything at the moment – in lockdown – invariably become, in some way, the subject. Read more... |
Back Roads review - nice cheekbones, not much elseFriday, 03 July 2020
Back Roads has languished largely unseen since its completion in 2017, and one can see why: lurid to the point of absurdity, this adaptation of a 1999 novel by co-screenwriter Tawni O’Dell is preposterously self-serious and doesn’t augur well for a hyphenate career for leading man Alex Pettyfer, the English actor (of Magic Mike fame) here doubling for the first time as director. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Faust, Royal Opera review - pure theatre in this solid reviv...
“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...
Mrs. Warren's Profession, Garrick Theatre review - moth...
How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...
Mongrel review - deeply empathetic filmmaking from Taiwan
There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre...
Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manche...
Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist...
The Phoenician Scheme review - further adventures in the idi...
It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...
Album: Ammar 808 - Club Tounsi
Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...
Mission: Impossible - The Final Reckoning review - can this...
Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...
Code of Silence, ITVX review - inventively presented reality...
In the guided tour of Britain’s cathedral cities that is the primetime TV...