sat 26/04/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - misalliance and magical marathon

Read more...

MacMillan St John Passion, Boylan, National Symphony Orchestra & Chorus, Hill, NCH Dublin review - flares around a fine Christ

Read more...

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patrick’s Cathedral, Dublin review - the heights rescaled

Read more...

Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - stomping, dancing, magical Vivaldi plus

Read more...

LSO, Noseda, Barbican review - Half Six shake-up

Read more...

Frang, LPO, Jurowski, RFH review - every beauty revealed

Read more...

Levit, Sternath, Wigmore Hall review - pushing the boundaries in Prokofiev and Shostakovich

Read more...

Biss, National Symphony Orchestra, Kuokman, NCH Dublin review - full house goes wild for vivid epics

Read more...

Der fliegende Holländer, Irish National Opera review - sailing to nowhere

Read more...

Die Zauberflöte, Royal Academy of Music review - first-rate youth makes for a moving experience

Read more...

Il trionfo del Tempo e del Disinganno, Irish Baroque Orchestra, Whelan, St George’s Hanover Square review - Handel’s journey of a soul

Read more...

Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Barbican review - sounds above substance

Read more...

Bavouzet, BBCSO, Stasevska, Barbican review - ardent souls in mythic magic

Read more...

Levit, Budapest Festival Orchestra, Fischer, RFH review - anger unleashed, fantasy finessed in Prokofiev

Read more...

A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH review - baggy ferment of ideas and sounds

Read more...

Mansfield Park, Guildhall School review - fun when frothy, chugging in romantic entanglements

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Dr Robert & Matt Deighton - The Instant Garden

There’s this mod milieu, harking back to the Eighties. Weller at the forefront; Dr Robert and his Blow Monkeys; all righteously hate Thatcher;...

Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...

“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...

The Accountant 2 review - belated return of Ben Affleck...

It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a...

The Inseparables, Finborough Theatre review - uneven portrai...

The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...

The Ugly Stepsister review - gleeful Grimm revamp

Although both of the Brothers Grimm died around 1860, they still insist on getting dozens of film and TV credits in each decade of our...

Album: Self Esteem - A Complicated Woman

Given that Prioritise Pleasure was Rebecca Lucy Taylor’s (RLT) Back to Black, and that there’s been a lengthy...

Flintoff, Disney+ review - tumultuous life and times of the...

Documentaries about sports stars are now a dime a dozen, but you can only be as good as your subject matter. We know Andrew Flintoff (usually...

Personal Values, Hampstead Theatre review - deep grief that...

“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up...