wed 24/04/2024

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Concert Theatre DSCH, Norwegian CO, Oslo Opera House Scene 2 review - Shostakovich choreographed for strings and accordion

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Jerusalem Quartet, Wigmore Hall review - singing to make the heart leap

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Douglas, Estonian NSO, Elts, Cadogan Hall review - perfect ebb and flow from conductor and pianist

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theartsdesk at the Sheffield Chamber Music Festival - romps and meditations at the highest level

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Wozzeck, Royal Opera review - orchestral and visual beauty salve human misery at its most extreme

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Pavel Kolesnikov, Samson Tsoy, QEH review - piano magicians conduct themselves beautifully

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Ghosts, Abbey Theatre, Dublin review - creating tension from desolation

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Bartlett, National Symphony Orchestra, Weilerstein, National Concert Hall, Dublin review - edgy darkness, blazing light and high camp

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Castalian String Quartet, Wigmore Hall review - late Britten keeps equally demanding company

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LPO, Jurowski, RFH / LSO, BBC Singers, Rattle, Barbican review - spiderwebs, sublimity and a powerful speech

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Blue, English National Opera review - the company’s boldest vindication yet?

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Innocence, Royal Opera review - timely, layered drama with almost incidental music

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National Youth Orchestra, Gourlay, RFH review - non-stop jamboree at the highest level

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Life is a Dream, Cheek by Jowl, Barbican Theatre review - savouring the Spanish of a singular masterpiece

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Belcea Quartet, Chamayou, Wigmore Hall review - romantic winged beast soars over neobaroque chameleon

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Tenebrae, Short, St John’s Smith Square review - Bach and MacMillan soulfully joined, until the end

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Stephen review - a breathtakingly good first feature by a mu...

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The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...

Music Reissues Weekly: Linda Smith - I So Liked Spring, Noth...

Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or...

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...