wed 03/09/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

theartsdesk at the Dublin International Chamber Music Festival - musical revelations, nature beyond

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La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall review - diva power saves minor Bellini

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The Queen of Spades, Garsington Opera review - sonorous gliding over a heart of darkness

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Il Trittico, Opéra de Paris review - reordered Puccini works for a phenomenal singing actor

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Batiashvili, LSO, Pappano, Barbican review - French and Polish narcotics

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Parsifal, Glyndebourne review - the music flies up, the drama remains below

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Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash in complete Ravel

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Karim Said, Leighton House review - adventures from Byrd to Schoenberg

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Giulio Cesare, The English Concert, Bicket, Barbican review - 10s across the board in perfect Handel

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Einkvan, Det Norske Teatret, The Coronet Theatre review - alienation times six

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The Excursions of Mr Brouček, LSO, Rattle, Barbican review - sensuousness, fire and comedy in perfect balance

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Pimpinone, Royal Opera in the Linbury Theatre review - farce with a sting in its tail

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Die Walküre, Royal Opera review - total music drama

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Mahler 8, LPO, Gardner, RFH review - lights on high

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Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - misalliance and magical marathon

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Ben and Imo, Orange Tree Theatre review - vibrant, strongly acted fiction about Britten and Imogen Holst

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'We are bowled over!' Thank you for your messages... ...
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The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

International is Saint Etienne’s 13th album. It is their last. According to the promotional material, it was written while recording...

BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto rev...

Every year, the Royal Albert Hall proves complicit in the magic of the quietest utterances if, as Barenboim put it, you let the audience come to...

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.

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BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...

Album: Brad Mehldau - Ride into the Sun

Brad Mehldau’s three trio concerts in the UK in June showed what it is he does so brilliantly. The group (with bassist Felix Moseholm and drummer...

Music Reissues Weekly: The Outer Limits - Just One More Chan...

The Outer Limits were from Leeds. Active over 1965 to 1968, the...