mon 19/05/2025

Tom Birchenough

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Articles By Tom Birchenough

Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force

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Crossing review - a richly human journey of discovery

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The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama

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Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado

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Something in the Air, Jermyn Street Theatre review - evocative London mood music

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Meeting Gorbachev review - Werner Herzog offers a swansong tribute

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Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

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Jitney, Old Vic review - a directorial delight

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Lava, Soho Theatre review - silences, secrets and lies

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'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

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The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

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Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig

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Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

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A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production

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'Night, Mother, Hampstead Theatre review - despair in sotto-voce

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The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid production

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It followed some...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

Mr Swallow: Show Pony, Richmond Theatre review - Magic trick...

Nick Mohammed  invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

The Brightening Air, Old Vic review - Chekhov jostles Conor...

It's one thing to be indebted to a playwright, as Tom Stoppard and Harold Pinter have been at different times to Beckett, or Sondheim's latest...