Film Reviews
The Tale of King Crab review - an unholy fool's phantasmagoric progressSaturday, 23 April 2022
“Crazy? Aristocrat? Sad? Killer? Drunk?” A modern Tuscan hunting lodge’s regulars remember the myth of irascible rebel Luciano many ways, as it endures from the previous century’s misty turn. Italian-American co-directors Matteo Zoppi and Allessio Rigo de Righi’s feature debut follows documentary shorts drawn from those real hunters’ yarns, tipped now into the phantasmagoric territory of Werner Herzog, or Lucretia Martel’s Spanish colonial fever dream, Zama. Read more... |
Happening review - searingly intimate, furious abortion dramaSaturday, 23 April 2022
France is a female dystopia in Audrey Diwan’s immersive illegal abortion drama, set in 1963 and based on Annie Ernaux’s autobiographical novel. Read more... |
The Unbearable Weight of Massive Talent review - a very funny meta-comedyFriday, 22 April 2022
At a well-attended London press screening of The Unbearable Weight of Massive Talent, there were, as might be expected, knowing chortles from Nicolas Cage-oscenti when specific films from his canon were either inserted or referenced – there were at least 18 of them listed in the closing credits from the hundred or so he has made in total. Read more... |
Ennio review - sprawling biog of the maestro of movie musicThursday, 21 April 2022
Ennio Morricone’s collaboration with director Giuseppe Tornatore on 1988’s Cinema Paradiso was one of the countless highlights of his career, and it’s Tornatore who has masterminded this sprawling documentary tribute to the composer, who died in July 2020. Read more... |
The Wall of Shadows review - a holy Himalayan mountain and a Sherpa family's dilemmaThursday, 21 April 2022
“You’re mad to try and climb a holy mountain,” says Jomdoe, wife of Sherpa Ngada, as they argue over whether it’s more important to respect the body of God, aka the mountain Kumbhakarna in eastern Nepal, or to take the money earned from a dangerous climbing expedition that could help pay for their son’s education. Read more... |
Playground review - bleak but brilliant schoolyard dramaThursday, 21 April 2022
Nora is seven, and it's her first day at school. Big brother Abel, already enrolled in their local primary, promises to find her at playtime. Prised away from her father's embrace, tearful Nora is set up from the opening moments of Playground as a sensitive child. Read more... |
Operation Mincemeat review - Colin Firth and co practise the fine art of deceptionFriday, 15 April 2022
The story of the fictitious Major William Martin, whose waterlogged corpse washed up on the Spanish coast in 1943 bearing bogus documents designed to fool the Germans, was previously filmed in 1956 as The Man Who Never Was. Read more... |
The Lost City review - terrific odd-couple comedyFriday, 15 April 2022
Sandra Bullock is on terrific form in this rollicking romcom in which she plays Loretta Sage, a historian who writes bestselling romance novels in which the heroine has adventures in exotic places with her lover, Dash. Read more... |
The Northman review - Robert Eggers's elemental Viking epicFriday, 15 April 2022
With its wild, windswept seascape and cliff-top settlement, the first scene of The Northman, Robert Eggers’s first big-budget movie (around $90 million in the making), harks back, a little, to The Lighthouse (2019), a one-of-a-kind black and white marvel with only two protagonists. Read more... |
Benedetta review - lesbian nuns' sex and faith collideFriday, 15 April 2022
Paul Verhoeven’s latest provocation is an old-fashioned but vigorous 17th century lesbian nun shocker, based on eye-poppingly explicit testimonies at the Christian church’s sole lesbian trial. It’s his most sustained examination of faith and sex, a theme going back to the repressive Calvinist father and sexually anarchic teens of his wild Dutch hit, Spetters (1980). Read more... |
Onoda: 10,000 Nights in the Jungle review - three decades of hell in the PacificWednesday, 13 April 2022
Stories of Japanese soldiers who spent years in the tropical jungles long after the end of World War Two have always felt more like metaphorical illustrations of the lunacy of war than actual historical fact. Yet some of them were true, most notably that of Hiroo Onoda. Read more... |
Murina review - her father, her jailerWednesday, 13 April 2022
Murina, the suspenseful first feature written and directed by the Croatian filmmaker Antoneta Alamat Kusijanoviće, depicts a cruel dance that three of the four participants can't or won't stop. Its instigator, a father and husband in thrall to his ruinous machismo, is clueless. The steps – based on love, desire, avarice, jealousy, manipulation and anger – make for a discomfiting coming-of-age drama that won the Camera d’Or at Cannes last year. Read more... |
The Outfit review - threadbare tailor-gangster yarnSaturday, 09 April 2022
“A man walks in,” Leonard (Mark Rylance) begins. “What about him can you observe? What does a man like to be? Read more... |
Compartment No. 6 - strangers on a Russian train sweetly connectFriday, 08 April 2022
Juho Kuosmanen’s Cannes Grand Prix-winner observes two strangers on a train, taking the arduous journey from Moscow to Arctic Murmansk in 1998. Laura (Seidi Haarla) is a Finnish student hoping to study ancient rock paintings, Ljoha (Yuriy Borisov) a skinhead Russian miner. Read more... |
DVD Special Feature: Abel Ferrara returns to the undergroundWednesday, 06 April 2022
Zeros And Ones’ poster alludes to Gerard Butler blockbusters (“The Vatican Has Fallen”), but Abel Ferrara’s name guarantees grungier fare. The sleaze of old Times Square still clings to the director, though he’s now a 70-year-old avant-pulp eminence living in Rome. Read more... |
The Audition review - love and hate at music schoolSaturday, 02 April 2022
If Roman Polanski had directed Whiplash, something like this study of music’s psychological cost might have resulted. Ina Weisse’s film is more incremental and naturalistic, as violin teacher Anna (Nina Hoss) gives special attention to teenage protégé Alexander (Ilja Monti), to the jealous resentment of son Jonas (Serafin Mishiev), while nervously returning to the stage herself. Read more... |
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