Film Reviews
The Souvenir Part II review – the problem with posh realismTuesday, 08 February 2022
The Souvenir Part II apparently concludes Joanna Hogg’s fly-on-the-wall drama about a woman film student's emotional evolution as the victim of both her older boyfriend's abuse and the disdain of her male instructors. It’s a psychologically perceptive drama full of acute observations, yet it’s disconcerting in its social complacency. Read more... |
The Night Doctor review - down and out in ParisTuesday, 08 February 2022
Elie Wajeman’s moodily lit film noir is, among other things, a great advertisement for the French healthcare system. Doctors in Paris do home visits! Even at night, and even for minor troubles such as a painful leg or stomach upset. It costs slightly more than going to the surgery, but t’inquiète pas, you’ll be reimbursed. Just don't lose your insurance card. Read more... |
Lingui: The Sacred Bonds review - female love finds a wayMonday, 07 February 2022
“Lingui” is the Chadian word for “sacred bonds, the common thread”, a social ideal put to the test here by an illegal abortion. Read more... |
Parallel Mothers review - letting the dead speakFriday, 04 February 2022
Almodóvar has rarely returned to the petrified Spain of his youth, flinging off Franco’s oppression by ignoring it in his early films of freewheeling provocation, where anarchic, hot freedom was all of the law. In this sober tale of secrets and lies, though, his nation’s past is literally dug up. Read more... |
The Eyes of Tammy Faye review - Jessica Chastain pulls out all the stopsFriday, 04 February 2022
US televangelists Tammy Faye and Jim Bakker’s rise and spectacular fall from grace in the Seventies and Eighties has already been covered in a documentary film of the same name, released in 2000 with a voice-over by RuPaul. Read more... |
Belfast review - coming of age amid the terror of the TroublesTuesday, 01 February 2022
For all his achievements as actor and director, Kenneth Branagh isn’t immediately thought of as a screenwriter, despite his multiple Shakespeare adaptations. That may all change with Belfast, because Branagh’s deeply personal account (he’s both writer and director) of a Northern Irish childhood in the early days of the Troubles has a little touch of magic about it. Read more... |
Long Promised Road review - another attempt to probe the fragile genius of Brian WilsonSaturday, 22 January 2022
There has been no shortage of documentaries about king Beach Boy Brian Wilson, not to mention the 2014 bio-drama Love & Mercy, so the purpose of this new effort by director Brent Wilson (no relation) isn’t altogether clear. Read more... |
Nightmare Alley review - a dazzling trip through a heart of darknessFriday, 21 January 2022
Director Guillermo del Toro has described Nightmare Alley as “a straight, really dark story”, lacking the supernatural elements in his previous films such as Crimson Peak and The Shape of Water. Nonetheless, Nightmare Alley still feels like a spectral visitation from a weird and menacing dimension. Read more... |
Memory Box review - exquisitely made drama set in LebanonFriday, 21 January 2022
Memory Box is that rare thing, a glimpse into a lost world from its traumatised inhabitants. Made by the Lebanese artist-filmmakers, Joana Hadjithomas and Khalil Joreige (a husband and wife team), it’s an intergenerational drama split between Beirut during the Eighties (the height of the Lebanese Civil War) and present day Canada. Read more... |
Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville ChamberlainTuesday, 18 January 2022
The name of Neville Chamberlain and the term “appeasement” have become indelibly linked, thanks to his efforts to accommodate Adolf Hitler’s bellicose ambitions in the run-up to what became World War Two. Read more... |
Don't Look Up, Netflix review - hitting most targets in high styleThursday, 13 January 2022
Most dystopian satires are located in a nightmarish future, but their scripts build on the worst of our world today. Adam McKay's Don’t Look Up is different: this is now, and the notion of a comet hurtling towards the assured destruction of planet Earth is the hub for a heaping-up and jamming-together of how media and government respond to the worst imaginable crisis. Read more... |
The Humans review - staring headlong into the abyssMonday, 10 January 2022
A small film that packs a significant wallop, The Humans snuck into view at the very end of 2021 to cast a despairing shadow that extends well beyond the Thanksgiving day during which it takes place. Read more... |
A Hero review - a morality tale with no firm conclusionsFriday, 07 January 2022
A Hero, set in the ancient city of Shiraz in southwest Iran, revolves around Rahim (Amir Jadidi), a weak man with gleaming white teeth and a permanent smile. He’s on leave from prison for the weekend, an odd concept in itself, as there are no restrictions to his movements and the whole set-up seems surprisingly lax and polite for what we might expect from an Iranian jail.
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Best of 2021: FilmSunday, 02 January 2022
Like every other artform, cinema suffered greatly in a year of lockdowns. But despite an ever-changing outlook, theartsdesk still managed to review over 130 films in 2021! Long-awaited blockbusters and no-budget indies fought for screen space big and small, but only a select few achieved five star status. Here are the 2021 releases our critics deemed perfect: Read more... |
Titane review - love under the bonnetFriday, 31 December 2021
The restrictiveness of conventional gender identities explains the extreme body horror of Titane, in which a pregnant rookie firefighter frequently invoked as Jesus bleeds car oil from her vagina and from the stigmatic splits in her swollen belly. The miracle of Julia Doucournau’s luridly beautiful Palme d’Or-winner is that the memory of the violence puncturing the film's first half recedes as loving tenderness takes hold. Read more... |
The Matrix Resurrections review - reboot or remix?Wednesday, 22 December 2021
Back in 1999, The Matrix offered something revolutionary. With a heady brew of William Gibson-influenced cyberpunk, Platonic philosophy and Prada, it proved that blockbusters could be both smart and action-packed. Remember those days? Read more... |
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