Film Reviews
The Hand of God review - Sorrentino's unsentimental educationThursday, 16 December 2021
“It was the hand of God,” says the Neapolitan family patriarch about a rather unexpected consequence of Maradona's coming to play for the city’s team. That gives us a date, 1984, and, while the adolescent protagonist Fabietto remains in Naples, a fleeting sense of time and place. Read more... |
Spider-Man: No Way Home review - The web-slinger returnsThursday, 16 December 2021
A brief warning to readers: while effort is made to avoid spoilers, I would advise anyone who has somehow missed the massive amount of online speculation about the film’s plot to not read on. See the film first, and please come back. Read more... |
Hope review - brilliance and honesty from Norwegian director Maria SødahlThursday, 09 December 2021
The story of a woman with lung cancer that has metastasised to the brain is based on Norwegian director Maria Sødahl's own experience, which is a hopeful sign in itself. Read more... |
The Power of the Dog review - of rawhide and rosesWednesday, 01 December 2021
The archetypal fascinating male in Jane Campion’s films – whether his allure for a woman owes to his earthy virility or emotional sensitivity, his animal appeal or his soul – has a malign other. Read more... |
Bad Luck Banging or Loony Porn review - viral venom in BucharestWednesday, 01 December 2021
Though sexual hypocrisy in modern-day Romania is the ostensible target of Bad Lack Banging or Loony Porn – a satirical drama that enfolds a scattershot polemic – Radu Jude’s tenth film is broadly concerned with the nation’s all-enveloping post-Communist malaise. Read more... |
The Unforgivable review - Sandra Bullock gets stuck in a doom-struck rutSaturday, 27 November 2021
Based fairly closely on Sally Wainwright’s 2009 ITV series Unforgiven, The Unforgivable replaces the former’s star Suranne Jones with Sandra Bullock and has airlifted the action from Yorkshire to Seattle. Read more... |
House Of Gucci review – gloriously gawdy trashThursday, 25 November 2021
Back in 2013, Gina Gershon chewed up the scenery in the daytime movie House of Versace. Focusing on the murder of Gianni Versace, it was a tacky, cheap drama that knew what it was, and was all the more entertaining for it. The same can’t be said of Ridley Scott’s new drama which focuses on an equally prestigious Italian fashion house and a murder. Read more... |
Drive My Car review - talk therapy on the roadSaturday, 20 November 2021
In the first 35 minutes of Hamaguchi Ryūsuke’s three-hour Drive My Car, which the Japanese director adapted with Oe Takamasa from a story in Murakami Haruku’s Men Without Women collection, the successful actor Kafuku Yūsuke (Nishijima Hidetoshi) endures experiences that would derail a less stoical man. Read more... |
King Richard review - Will Smith gives an affecting performance as Richard WilliamsThursday, 18 November 2021
It's difficult to know if this biopic of Richard Williams – father of Venus Williams and Serena Williams, two of the greatest tennis players ever (perhaps the greatest in the latter's case) – is true to the facts, or just a version of them. Read more... |
Bruised review - Halle Berry takes the blows and does it her wayThursday, 18 November 2021
A classic specimen of the “what doesn’t kill you makes you stronger” school, Bruised is Halle Berry’s directorial debut. Read more... |
Mothering Sunday review - Odessa Young shines in adaptation of Graham Swift's novellaFriday, 12 November 2021
30 March 1924. Read more... |
Spencer review – daring, strange and deeply movingThursday, 04 November 2021
We ought to be sated with the Royal Family right now – on screen, given the riches of The Crown, and in general, what with the persistent, annoying buzz emitted by Harry and Meghan, or the odour of Andrew. So, it’s testimony to the enduring fascination with Princess Diana and the wonderful, singular filmmaking of Pablo Larraín that there’s room for more. Read more... |
Last Night in Soho review - hung overThursday, 28 October 2021
Take a bitter-sweet homage to Swinging Sixties London, then add a psychological horror story, and a murder mystery, with a dash of Mean Girls and a commentary on misogyny and sexual violence, all told through the prism of a young woman’s gift for seeing the dead. Edgar Wright has apparently been thinking about Last Night in Soho for more than a decade, which may explain why the final film feels so very over-cooked. Read more... |
Quant review - Sadie Frost's debut documentary skirts the genius of Mary QuantWednesday, 27 October 2021
As a teenager in 1967, I asked for a Mary Quant make-up box for Christmas and my parents reluctantly complied. Read more... |
Dune review - awesome display of sci-fi world-buildingWednesday, 20 October 2021
I’d venture that Denis Villeneuve’s adaptation of Frank Herbert’s 1965 sci-fi classic is an almost perfect adaptation. Read more... |
The Velvet Underground review - Todd Haynes tunnels through band historyTuesday, 12 October 2021
Todd Haynes’ documentary about the Velvet Underground has to be one of the better uses of time by a film-maker during the Covid pandemic. He spent lockdown putting the film together with a team of archivists and editors working remotely. It’s a beautifully shot and ingeniously collaged portrait of the decadent New York band which weaves together an extraordinary wealth of archive footage and some choice and apposite interviews. Read more... |
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