sun 25/05/2025

Film Reviews

Doctor Strange in The Multiverse Of Madness – not strange, not mad

Nick Hasted

The Marvel Cinematic Universe is at its most radical and corporate here; maybe decadent is the word. We start with surgeon turned sorcerer Doctor Strange (Benedict Cumberbatch) threatened then slaughtered in a cosmic chase sequence. It’s just a dream, then it isn’t, and so is/isn’t pretty much everything that follows.

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Wild Men review - Danish-Norwegian black comedy

Saskia Baron

There are films that, after seeing the trailer, I very much expect to love. But when the actual movie is disappointing, I find writing the review makes me just a little bit sad. Unfortunately, Wild Men is one of those movies. Billed as a comedy-thriller, it doesn’t quite make the grade on either front, it's not gripping enough as a policier and the jokes often fall flat. 

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Barry & Joan review - quirky documentary about two vaudevillians

Veronica Lee

If the state of the world is a little too bleak for you right now, do yourself a favour and watch this utterly charming documentary about Barry and Joan Grantham, a couple who have been married and performing together for several decades (Audrey Rumsby's film is vague on the details, but archive clips of them performing date back to the late 1940s). 

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Downton Abbey: A New Era review - will we ever see its like again?

Adam Sweeting

A dozen years have passed since Downton Abbey first landed on our TV screens, since when it has passed into folklore. Whether you thought it was escapist historical froth, a ludicrous anachronism full of class-system clichés or a documentary probing the British aristocracy, Downton has lodged itself in the national consciousness, probably forever.

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The Tale of King Crab review - an unholy fool's phantasmagoric progress

Nick Hasted

“Crazy? Aristocrat? Sad? Killer? Drunk?” A modern Tuscan hunting lodge’s regulars remember the myth of irascible rebel Luciano many ways, as it endures from the previous century’s misty turn. Italian-American co-directors Matteo Zoppi and Allessio Rigo de Righi’s feature debut follows documentary shorts drawn from those real hunters’ yarns, tipped now into the phantasmagoric territory of Werner Herzog, or Lucretia Martel’s Spanish colonial fever dream, Zama.

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Happening review - searingly intimate, furious abortion drama

Nick Hasted

France is a female dystopia in Audrey Diwan’s immersive illegal abortion drama, set in 1963 and based on Annie Ernaux’s autobiographical novel.

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The Unbearable Weight of Massive Talent review - a very funny meta-comedy

Sebastian Scotney

At a well-attended London press screening of The Unbearable Weight of Massive Talent, there were, as might be expected, knowing chortles from Nicolas Cage-oscenti when specific films from his canon were either inserted or referenced – there were at least 18 of them listed in the closing credits from the hundred or so he has made in total.

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Ennio review - sprawling biog of the maestro of movie music

Adam Sweeting

Ennio Morricone’s collaboration with director Giuseppe Tornatore on 1988’s Cinema Paradiso was one of the countless highlights of his career, and it’s Tornatore who has masterminded this sprawling documentary tribute to the composer, who died in July 2020.

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The Wall of Shadows review - a holy Himalayan mountain and a Sherpa family's dilemma

Markie Robson-Scott

“You’re mad to try and climb a holy mountain,” says Jomdoe, wife of Sherpa Ngada, as they argue over whether it’s more important to respect the body of God, aka the mountain Kumbhakarna in eastern Nepal, or to take the money earned from a dangerous climbing expedition that could help pay for their son’s education.

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Playground review - bleak but brilliant schoolyard drama

Saskia Baron

Nora is seven, and it's her first day at school. Big brother Abel, already enrolled in their local primary, promises to find her at playtime. Prised away from her father's embrace, tearful Nora is set up from the opening moments of Playground as a sensitive child.

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Operation Mincemeat review - Colin Firth and co practise the fine art of deception

Adam Sweeting

The story of the fictitious Major William Martin, whose waterlogged corpse washed up on the Spanish coast in 1943 bearing bogus documents designed to fool the Germans, was previously filmed in 1956 as The Man Who Never Was.

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The Lost City review - terrific odd-couple comedy

Veronica Lee

Sandra Bullock is on terrific form in this rollicking romcom in which she plays Loretta Sage, a historian who writes bestselling romance novels in which the heroine has adventures in exotic places with her lover, Dash.

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The Northman review - Robert Eggers's elemental Viking epic

Markie Robson-Scott

With its wild, windswept seascape and cliff-top settlement, the first scene of The Northman, Robert Eggers’s first big-budget movie (around $90 million in the making), harks back, a little, to The Lighthouse (2019), a one-of-a-kind black and white marvel with only two protagonists.

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Benedetta review - lesbian nuns' sex and faith collide

Nick Hasted

Paul Verhoeven’s latest provocation is an old-fashioned but vigorous 17th century lesbian nun shocker, based on eye-poppingly explicit testimonies at the Christian church’s sole lesbian trial. It’s his most sustained examination of faith and sex, a theme going back to the repressive Calvinist father and sexually anarchic teens of his wild Dutch hit, Spetters (1980).

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Onoda: 10,000 Nights in the Jungle review - three decades of hell in the Pacific

Adam Sweeting

Stories of Japanese soldiers who spent years in the tropical jungles long after the end of World War Two have always felt more like metaphorical illustrations of the lunacy of war than actual historical fact. Yet some of them were true, most notably that of Hiroo Onoda.

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Murina review - her father, her jailer

Graham Fuller

Murina, the suspenseful first feature written and directed by the Croatian filmmaker Antoneta Alamat Kusijanoviće, depicts a cruel dance that three of the four participants can't or won't stop. Its instigator, a father and husband in thrall to his ruinous machismo, is clueless. The steps – based on love, desire, avarice, jealousy, manipulation and anger – make for a discomfiting coming-of-age drama that won the Camera d’Or at Cannes last year.

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