Film Reviews
The Good Boss review - Javier Bardem at his creepy bestWednesday, 20 July 2022
The Good Boss's Julio Blanco (Javier Bardem) is not short of belief in his talents as a leader. Not just good, he evidently thinks he is the best boss ever. We watch him on the prowl, exerting influence and power over his family business, micro-managing everything and everyone. Read more... |
The Railway Children Return review - honourable wartime sequelSaturday, 16 July 2022
You can’t simulate nostalgia, or the dusting of urgent magic which made The Railway Children so immediately poignant. Lionel Jeffries wrote and directed the 1970 film with the same special affinity for vintage childhoods he showed in his heart-piercing ghost story The Amazing Mr Blunden (1972). Read more... |
McEnroe review - documentary about the original bad boy of tennisThursday, 14 July 2022
Over the past few weeks, countless columns have been written about Nick Kyrgios, who lost in the Wimbledon final to Novak Djokovic. Who knows if the Australian will watch this illuminating documentary about the original “bad boy of tennis” to see how his own career may pan out? Read more... |
Thor: Love and Thunder review - more like it from MarvelSaturday, 09 July 2022
Twenty-eight films and 19 proliferating TV series in, the Marvel Cinematic Universe was becoming wearisome, testing fans’ faith with grimly effortful new entries, and choking other sorts of film into the margins, like knotweed. But like the mid-20th century Western, superheroes are also a commercial template for anyone to tell any sort of story. When Taika Waititi’s dry satirist’s voice let rip on Thor: Ragnarok (2017), he combined all his and the genre’s wild virtues. Read more... |
Nitram review - chilling drama based on the Port Arthur gunmanThursday, 30 June 2022
Nitram, Australian director Justin Kurzel’s deeply disturbing film about the man responsible for the Port Arthur massacre in Tasmania in 1996, seems especially topical after the Uvalde school shootings, one among several other shootings in the US in May. Read more... |
Moon, 66 Questions review - captivating daughter-father dramaWednesday, 29 June 2022
It takes some confidence for a first-time feature director to interrupt her essentially realistic first feature with a splash of psychedelic abstraction, but Jacqueline Lentzou doesn’t lack for visual or aural daring. Read more... |
We (Nous) review - a low-key look at life in the suburbs of ParisTuesday, 28 June 2022
Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of the woods – Correze, in central France. It was a lightbulb moment for her: “My approach as a film-maker suddenly became clear to me, I realised I’d been making films about the suburbs in an obsessive way for the past 15 years… to conserve the existence of ordinary lives, which would have disappeared without trace if I hadn’t filmed them.” Read more... |
Eric Ravilious: Drawn to War review - a lovingly crafted documentary portraitMonday, 27 June 2022
There’s a sharp observation, delivered in Alan Bennett’s soft tones, that sums up the reputation of the painter Eric Ravilious: “Because his paintings are so accessible, I don’t think he’s thought to be a great artist. It’s because of his charm. He’s so easy to like and things have to be hard, if they’re not hard, then they’re not great." Read more... |
Elvis review - Austin Butler shines in patchy biopicFriday, 24 June 2022
Strictly Ballroom aside, I’ve never been entirely persuaded by Baz Luhrmann. Once you rip open the plush packaging of his films, you often just find satin and tissue paper inside. Elvis isn’t his worst movie (they can’t take that accolade away from Moulin Rouge!) but it isn’t the monumental ode to a great American legend that one hoped it might have been. Read more... |
Pleasure review - that Eve Harrington syndrome againFriday, 17 June 2022
The film title Pleasure begs the question, whose pleasure? Since first-time feature director Ninja Thyberg’s cautionary drama depicts the journey of a newcomer intent on becoming the Los Angeles adult film business's top female performer, the pleasure self-evidently isn’t hers, but that taken by the hordes of men who’ll watch her being systematically degraded on Pornhub and its ilk. Read more... |
Good Luck to You, Leo Grande review - claustrophobic and blandFriday, 17 June 2022
I really wanted to like Good Luck to You, Leo Grande. It’s got a funny trailer and Emma Thompson has been passionately publicising her film. And while our screens are currently full of stories about twentysomething girls and their chaotic love lives, watching a 62-year old woman intent on enjoying sex with a younger man on her own terms seemed promising. Read more... |
Lightyear review - can infinity be a yawn?Wednesday, 15 June 2022
The animation may be stunning, but in every other department, Lightyear is a disappointment. It’s a crying shame for anyone who loved the original Toy Story and its (mainly) excellent sequels. If you were expecting a buzz from Pixar’s origin story, brace yourself instead for a damp squib. Read more... |
Everything Went Fine review - classy French family dramaTuesday, 14 June 2022
French filmmakers do family dramas so well, and none better than François Ozon when he is on form, as he is on Everything Went Fine. Read more... |
Earwig review - Little Miss Saliva TeethSunday, 12 June 2022
Like her first two features, Lucile Hadžihalilović’s Earwig is an oneiric coming-of-age drama that uses body horror imagery as a metaphor for the daunting unknowns – sexual and emotional – to be encountered in adulthood. Read more... |
Swan Song review - the fabulous Udo Kier as a small-town hairdresser on his last legsSaturday, 11 June 2022
The piercing-eyed German actor Udo Kier is best known for his supporting roles in many high-profile films, including those of Lars von Trier, Gus Van Sant and Fassbinder. In Swan Song, he carries off his first starring role magnificently as wry ex-drag queen and Ohio hairdresser Pat Pitsenbarger, though the film itself is rather meandering and has mawkish, saccharine moments. Read more... |
All My Friends Hate Me review - beware of the biliousFriday, 10 June 2022
A birthday weekend in Devon goes rather badly wrong in All My Friends Hate Me, the new film co-written by its leading man, Tom Stourton, that looks guaranteed to make shut-ins of us all. Read more... |
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