mon 26/05/2025

Film Reviews

The Menu review - Ralph Fiennes stars in culinary black comedy

Markie Robson-Scott

A fine cast, starring Ralph Fiennes as a deranged super-chef along with Anya Taylor-Joy, Nicholas Hoult, Janet McTeer, Rob Yang and an exclusive restaurant serving horror as a main course – it sounds deliciously promising. But although there are some arresting images, this black comedy doesn’t quite deliver.

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Black Panther: Wakanda Forever review - expanded Afro-dreams survive a star's death

Nick Hasted

Chadwick Boseman’s T’Challa dies off-screen of an undisclosed disease, suffering “in silence” notes sister Shuri (Letitia Wright), actor and role as one at the end. Lost after one, uniquely iconic full-length film, recasting and digital resurrection was rejected by shocked writer-director Ryan Coogler, even as he ripped his sequel script up.

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Living review - Bill Nighy's masterpiece

Nick Hasted

Living begins with a ravishing immersion in vintage footage of a lost world, primary colours popping on a Fifties summer’s day in Piccadilly. Emilie Levienaise-Farrouch’s opulent score adds to the poignancy of an orderly, comfortable England: the country which has slowed the heartbeat and buried the soul of Williams (Bill Nighy), a civil servant called Mr. Zombie behind his back.

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My Neighbour Adolf review - this queasy comedy is not what the world needs just now

Saskia Baron

How many excellent comedies involving the Nazis are there? To Be or Not To Be, The Great Dictator and perhaps The Producers, but Jojo Rabbit was a mess and My Neighbour Adolf is no better.

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Call Jane review - well-crafted pro-choice drama

Saskia Baron

The release of Call Jane could not be more timely, just as the American midterms loom and liberals reel from the overturning of legislation that allow women access to safe and legal abortions in the US. This well-crafted drama tells the true story of a group of women in 1960s Chicago who ran a secret organisation that provided almost 12,000 terminations when to do so was a criminal offence. 

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Hilma review - biopic of the Swedish abstract artist Hilma af Klint

Markie Robson-Scott

The artist Hilma af Klint, born in 1862, was way ahead of her time. A Swedish mystic who believed that spirits were guiding her hand, she was a contemporary of Kandinsky and Mondrian but her abstract art remained unrecognised. She didn’t fit in to the male-dominated art world.

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Vesper review - impressively art-directed sci-fi film

Saskia Baron

Vesper is a piece of arty European sci-fi, filmed in the forests of Lithuania (homeland of co-director Kristina Buozyte) and set in a dystopian future conjured up by its French co-director Bruno Samper (a "digital experience designer"). The two collaborated in 2012 on Vanishing Waves, which was the first Lithuanian sci-fi film to play in the US, won awards on the festival circuit, and came with quite a lot of explicit erotica.

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Decision to Leave review - sly, slow-burning love and death

Nick Hasted

In Park Chan-wook’s strange Cannes prize-winning thriller, a husband is discovered mangled beneath a mountain, and pretty widow Seo-rae (Tang Wei) isn’t noticeably upset.

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The Banshees of Inisherin review - stellar turns from Brendan Gleason and Colin Farrell

Adam Sweeting

Previous works by screenwriter-director Martin McDonagh, which include In Bruges and Three Billboards Outside Ebbing, Missouri, might give you an inkling of the perverse and tantalising mindset that lies behind The Banshees of Inisherin… but then again, perhaps not. You could call it a drama, or a comedy or a tragedy. You might even call it a parable.

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London Film Festival 2022 - the winners and the losers

Saskia Baron

The London Film Festival ended with the announcement of assorted prizes, all well-deserved.

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Hopper: An American Love Story review - a dry view of a much richer subject

Saskia Baron

This rather disappointing documentary about the great American painter Edward Hopper (1882-1967) has such a dry parade of experts and such a slow linear narrative that it leaves plenty of time to be frustrated by all that’s been left out.

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London Film Festival 2022 - women's voices powerfully to the fore

Demetrios Matheou

Coming towards the end of the year, the London Film Festival generally has a “the best of the rest” feel to it, offering an excellent overview of the year’s releases. And what this edition shows is an encouraging, and very satisfying expression of women’s growing empowerment outside and within cinema.

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Halloween Ends review - the final cut

Nick Hasted

It doesn’t really end till the last dollar’s earned. But David Gordon Green’s Halloween trilogy, and Jamie Lee Curtis’s signature role, draw to an eventually satisfying close here.

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All That Breathes review - intensely moving nature documentary

Saskia Baron

This extraordinarily moving film made history when it became the first documentary to win the top non-fiction awards at both Sundance and Cannes. All that Breathes is the second film directed by Shaunak Sen, shot in Delhi in 2019/2020 during the violence that followed the Citizenship Amendment Act

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London Film Festival 2022 - supermodels, juntas and toxic dust clouds

Demetrios Matheou

There were decidedly mixed, north-south emotions on the film festival circuit last week: just as the latest edition of the BFI London Film Festival opened, administrators announced the immediate closure of its illustrious UK cousin, the Edinburgh International Film Festival, along with two of Scotland’s most beloved cinemas. 

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The Lost King review - fact or fiction?

Veronica Lee

Richard III is a controversial figure, and will remain so after this film, which tells the remarkable story of how Philippa Langley, a woman with no background in academia, archaeology or as a historian, led the search to find the grave of the “usurper king”.

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