Film Reviews
How To Blow Up a Pipeline review - can eco-terrorism be justified?Friday, 21 April 2023
“This was an act of self defence,” is the last message we hear as How To Blow Up a Pipeline approaches the end of its 104-minute span. Read more... |
Renfield review - Dracula meets Steptoe and SonMonday, 17 April 2023
Dracula’s fly-eating henchman Renfield (Nicholas Hoult) seeks solace in a self-help group from his co-dependent, fanged boss (Nicolas Cage), in a comic horror action flick which posits the pair as a vampiric Steptoe and Son – though that relationship was more genuinely nightmarish. Read more... |
One Fine Morning review - Léa Seydoux stars in Mia Hanson-Løve's poignant love storyFriday, 14 April 2023
In the first scene of Mia Hanson-Løve’s wonderful One Fine Morning, Sandra (Léa Seydoux in a minimal, nuanced performance), is trying to visit her father, Georg (Pascal Greggory), in his Paris flat. But, stuck on the other side, he can’t find the door or turn the key to let her in. Read more... |
Loving Highsmith review - documentary focused on the writer's lighter sideThursday, 13 April 2023
Since her death in 1995, Patricia Highsmith has prompted three biographies, screeds of often conflicting psychological analysis and now this documentary from the Swiss-born Eva Vitija. We hear the director say at the outset that by reading her then-unpublished diaries she learned to love, not just the writing, but the writer, which not all commentators have managed to do. Read more... |
In the Court of the Crimson King: King Crimson at 50 review - Robert Fripp's iron clawMonday, 10 April 2023
Whether grinding or eerie, bellicose or plaintive, the exquisite jazz- and classical-infused prog rock dirges disgorged by King Crimson over the last 54 years stand apart from the more accessible sounds made by their illustrious peers, including Pink Floyd, Jethro Tull, Yes, Genesis, Curved Air, and ELP. Given the discomfiting aesthetic of Crimson’s music – a fulminating anti-panacea, relentlessly modernistic – is it any wonder there was much misery in its making? Read more... |
Godland review - a sly sagaSaturday, 08 April 2023
Iceland’s soul lies in its interior, a forbidding heartland which overwhelms 19th century Danish priest Lucas (Elliott Crosset Hove) on his ill-considered posting to this colonial backwater. Read more... |
Air review - great fun but no slam dunkFriday, 07 April 2023
All the best sports movies are about more than just sport: the core might be friendship, romance, the battle against discrimination, the importance of following your dreams, of self-realisation and fulfilment, of fighting the corporate machine, of David v Goliath. Admirable themes, all. Read more... |
LOLA review - stylish monochrome drama posits an alternative World War TwoFriday, 07 April 2023
Sometimes one admires a film without wholly loving it because the high level of craft displayed on screen holds at arms’ length emotional engagement with the story. LOLA is that kind of movie – an ingeniously devised tale of time-travel, set in 1941 and replete with World War Two newsreels that have been altered with all the digital skills its makers could summon. Read more... |
Hamlet, Bristol Old Vic On Screen review - faithful capture of a stage performanceThursday, 06 April 2023
This is a Hamlet for fans of speed-dating. It comes in at just over the two-hour mark, which is standard for a feature film. But considering the uncut text runs to four hours, as it did in the 1996 Kenneth Branagh film (and his earlier stage production), big chunks of text have clearly gone missing. Read more... |
In the Middle review - the true grit of grassroots refereesMonday, 03 April 2023
In the Middle profiles 10 football officials who referee and run the line of lower-league games in south-west London and north-east Surrey. Pondering what drives these apparently sane individuals to do such an onerous job, director-producer Greg Cruttwell's documentary is a vibrant study in diversity and concomitant prejudice that benefits from his light touch. Read more... |
Law of Tehran review - visceral Iranian police thrillerFriday, 31 March 2023
Here in Europe we mainly see subtle, lyrical Iranian films, targeted at international festivals or art house audiences, so it’s great to get the chance to see Law of Tehran, a gritty and relentless police thriller that was a hit in its home country in 2019. Read more... |
God's Creatures review - Irish drama with a touch of Greek tragedyFriday, 31 March 2023
There’s something about the Irish coastal village that makes filmmakers see it as a perfect locale for tales of human emotion in extremis, from David Lean’s Ryan’s Daughter to Martin McDonagh’s Banshees of Inisherin. Perhaps it’s the tension between political discontent, privation and the gorgeous landscape that unsettles people, makes them behave badly. Read more... |
Riotsville USA review - a training scheme with a tragic legacyThursday, 30 March 2023
Sierra Pettengill has made the politest angry film I have seen. It has an incendiary quality that comes precisely from its calm stance towards its material. This is a polemic, but one that burns steadily under the surface and asks the viewer to take a measured approach to its material. Read more... |
Things to Come, LSO, Strobel, Barbican review - blissful visions of the futureMonday, 27 March 2023
Last night at the Barbican was my first experience of a film with live orchestra, which has become a big thing in the last few years. The film in question was Alexander Korda’s extraordinary HG Wells adaptation Things to Come, from 1936, imagining a century of the future. Read more... |
Antidote review - two films in one that lose sight of their messageMonday, 27 March 2023
“I believe Ayahuasca is something very deep,” says spiritual leader José López Sánchez in the documentary Antidote. “It’s not like selling palm oil or rubber. How many gringos have been healed with Ayahuasca? How many have discovered things about themselves and made positive changes? We should create an alliance with the Westerners; it would be a new path.” Read more... |
The Cow Who Sang a Song into the Future review - a sensually strange eco-fableSaturday, 25 March 2023
Francisca Alegría’s debut is an eco-fable about mourning and enduring love, for a mother and Mother Earth. We start by Chile’s River Cruces, where a mill pumps poison, and the fish hear a death-song in the previously “sweet and clear” water. Magdalena (Mia Maestro), who drowned herself here decades ago, breaks the surface, gasping and suddenly alive, and walks back into the world. Read more... |
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