sun 15/06/2025

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Marwood, Crabb, Wigmore Hall review - tangos, laments and an ascending lark

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Josefowicz, LSO, Mälkki, Barbican review - two old favourites and one new one

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Stile Antico, Wigmore Hall review - a glorious birthday celebration

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Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard British piano concerto

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London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere

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Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

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Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musician

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RAM Song Circle, Wigmore Hall review - excellent young musicians lift the spirits

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Album: Ben Folds - Sleigher

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Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger

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Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue

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Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

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The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside

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Kaleidoscope Chamber Collective, Wigmore Hall review - warm and colourful Bartók and Brahms

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Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods

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Angela Hewitt, Wigmore Hall review - Scarlatti miniatures outshine Brahms behemoth

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'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...