fri 19/04/2024

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it

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Elmore String Quartet, Kings Place review - impressive playing from an emerging group

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St Matthew Passion, Academy of Ancient Music, Cummings, Barbican review - moving and humble

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Our Mother, Stone Nest review - musical drama in a mother's grief

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Colin Currie Quartet, Wigmore Hall review - toccatas for triangles and teacups

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Malofeev, BBCSO, Lintu, Barbican review - finesse as well as fireworks

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Paraorchestra, Hazlewood, Southbank Centre review - re-thinking the orchestral experience

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Brian Klaas: Fluke review - why things happen, and can we stop them?

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Siglo de Oro, Spinacino Consort, Allies, Wigmore Hall review - a fun 17th century musical Christmas

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Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre review - joyous Christmas music by Bach

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Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - chamber music supergroup in perfect accord

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Accentus, Insula orchestra, Equilbey, Barbican review - radiant French choral masterpieces

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Ben Folds, Royal Albert Hall review - piano pyrotechnics and modern musings

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Justin Lewis: Don't Stop the Music - A History of Pop Music, One Day at a Time review - deft and delightful pop almanac

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Capuçon, Philharmonia, Bancroft, RFH review - enjoyable all-American classics

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Adam Sisman: The Secret Life of John le Carré review - tinker, tailor, soldier, cheat

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latest in today

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...