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Bernard Hughes

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Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Australian Chamber Orchestra, Tognetti, Milton Court review - from Beethoven to didgeridoo

Friday, 28 October 2022 Read more...

Path of Miracles, Tenebrae, Short, St Martin-in-the-Fields review - a modern choral classic

Friday, 21 October 2022 Read more...

The Divine Comedy, Barbican review - a triumphant retrospective

Tuesday, 06 September 2022 Read more...

TUKS Camerata, Voces8 Live from London online review - a diverse choral selection

Tuesday, 30 August 2022 Read more...

Prom 52, Kuusisto, Finnish RSO, Collon review - fairytales, folksongs and a soaring lark

Saturday, 27 August 2022 Read more...

Prom 8, Kozhukhin, BBCSO, Stasevska review - Russian classics meet contemporary Iceland

Thursday, 21 July 2022 Read more...

Prom 6, BBC Philharmonic, Davis review - a bracing pair of British symphonies

Wednesday, 20 July 2022 Read more...

Mad Song, Ballance, High Barnet Chamber Music Festival review - Reich towers over the rest

Saturday, 16 July 2022 Read more...

Hewitt, Concerto Budapest SO, Keller, Cadogan Hall review - magical Mozart and bullish Beethoven

Tuesday, 07 June 2022 Read more...

Berrut, ECO, Guzzo, Cadogan Hall review - Schubert with a smile

Thursday, 19 May 2022 Read more...

Bevan, Williams, Bebbington, RPO, Davan Wetton, Barbican review - Vaughan Williams celebrated

Wednesday, 04 May 2022 Read more...

Bach and Pärt St John Passions, Voces8, ECO, Cadogan Hall / Gesualdo Six, St Martin-in-the-Fields review - contrasting Easter stories

Saturday, 16 April 2022 Read more...

Ferrández, RPO, Petrenko, RFH review - music defying oppression

Friday, 25 March 2022 Read more...

Simon Trpčeski and Friends, Wigmore Hall online review – chamber music classics old and new

Tuesday, 08 March 2022 Read more...

Kopatchinskaja, Namoradze, Budapest Festival Orchestra, Fischer, RFH review – a Stravinsky feast

Saturday, 19 February 2022 Read more...

Path of Miracles, Elysian Singers, St Pancras Church review – an ambitious musical pilgrimage

Monday, 07 February 2022 Read more...

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The Monster of Florence, Netflix review - dramatisation of n...

The problem with making...

Mary Page Marlowe, Old Vic review - a starry portrait of a s...

I came late to the Old Vic's shimmering production of Mary Page Marlowe, Tracy Letts's Off Broadway play from 2018 which has arrived in...

Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...