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Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Prom 32, Gillam, BBCNOW, Venditti review - belated debuts and a dancing delight

Tuesday, 13 August 2024 Read more...

Prom 26, Feldmann, BBC Philharmonic, Bihlmaier review - two warhorses and a femmage

Friday, 09 August 2024 Read more...

NMC Recordings at 35, Dutch Church, London review - a fitting celebration

Thursday, 04 July 2024 Read more...

Goldscheider, Royal Orchestral Society, Miller, SJSS review - fine horn playing from the very best

Monday, 17 June 2024 Read more...

Hugo Rifkind: Rabbits review - 31 wild parties and a funeral

Monday, 10 June 2024 Read more...

St Martin's Voices, Earis, St Martin-in-the-Fields review - music from the beginning

Wednesday, 29 May 2024 Read more...

Sphinx Organization, Wigmore Hall review - black performers and composers take centre stage

Monday, 27 May 2024 Read more...

Kolesnikov, Wigmore Hall review - celestial navigation through a cabinet of wonders

Thursday, 23 May 2024 Read more...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love old and new

Thursday, 16 May 2024 Read more...

Jonn Elledge: A History of the World in 47 Borders review - a view from the boundaries

Tuesday, 23 April 2024 Read more...

Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it

Wednesday, 10 April 2024 Read more...

Elmore String Quartet, Kings Place review - impressive playing from an emerging group

Tuesday, 09 April 2024 Read more...

St Matthew Passion, Academy of Ancient Music, Cummings, Barbican review - moving and humble

Saturday, 30 March 2024 Read more...

Our Mother, Stone Nest review - musical drama in a mother's grief

Saturday, 23 March 2024 Read more...

Colin Currie Quartet, Wigmore Hall review - toccatas for triangles and teacups

Wednesday, 28 February 2024 Read more...

Malofeev, BBCSO, Lintu, Barbican review - finesse as well as fireworks

Saturday, 17 February 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
Othello, Theatre Royal, Haymarket review - a surprising mix...

Perspectives on Shakespeare's tragedy have changed over the decades....

Benson Boone, O2 London review - sequins, spectacle and chee...

After cancelling his Birmingham gig an hour before curtain-up due to illness, the anticipatory hype around whether...

Die My Love review - good lovin' gone bad

Directed by Lynne Ramsay and based on the book by Ariana Harwicz, Die My Love is an unsettling dive into the disturbed psyche of...

Midlake's 'A Bridge to Far' is a tour-de-forc...

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...

Mr Scorsese, Apple TV review - perfectly pitched documentary...

This five-parter by Rebecca Miller is essential viewing for any...

Madama Butterfly, Irish National Opera review - visual and v...

Emotional truth backed up by musical sophistication is what saves Puccini’s drama about a geisha deserted by an American officer from mawkishness...