Film Reviews
The Real Charlie Chaplin review - not as revealing as its title suggestsWednesday, 16 February 2022
Even today, Charlie Chaplin still earns glowing accolades from critics for his work during the formative years of cinema, though a contemporary viewing public saturated in CGI and superheroes might struggle to see the allure of his oeuvre as the “Little Tramp”. Read more... |
Wheel of Fortune and Fantasy review - a trio of tales from JapanMonday, 14 February 2022
With some films it’s all about the editing, a brisk parade of striking images accompanied by a kinetic score. And then there are films like Hamaguchi Ryusuke’s Wheel of Fortune and Fantasy and the Oscar-nominated Drive My Car, where the camera stays still and watches the performers watching each other talk. Read more... |
Marry Me review - Jennifer Lopez vehicle deliversMonday, 14 February 2022
Lots of drama follows well-worn paths; just as we expect that in a tragedy that Chekhov's gun (or variants of it) will deliver the denouement, so we know that in a romcom the two leads will end up together. So – no spoilers, but you know the drill – Jennifer Lopez and Owen Wilson's characters overcome all sorts of obstacles that could thwart their romance. Read more... |
Death on the Nile review - Kenneth Branagh flounders again as PoirotFriday, 11 February 2022
Death on the Nile, Kenneth Branagh's second visit to Agatha Christie's oeuvre, was supposed to be released in November 2020 but Covid, a studio sale and some embarrassing revelations about one of its cast members put paid to that. Was it worth the wait? Not really. Read more... |
Flee review - award-winning documentary portrays the refugee experienceThursday, 10 February 2022
It’s good timing for the release of Flee in UK cinemas. The Danish movie has just made Oscar history by being nominated in three categories – Animated Feature, Documentary, and International Feature and is bound to win in at least one of them. Read more... |
The Souvenir Part II review – the problem with posh realismTuesday, 08 February 2022
The Souvenir Part II apparently concludes Joanna Hogg’s fly-on-the-wall drama about a woman film student's emotional evolution as the victim of both her older boyfriend's abuse and the disdain of her male instructors. It’s a psychologically perceptive drama full of acute observations, yet it’s disconcerting in its social complacency. Read more... |
The Night Doctor review - down and out in ParisTuesday, 08 February 2022
Elie Wajeman’s moodily lit film noir is, among other things, a great advertisement for the French healthcare system. Doctors in Paris do home visits! Even at night, and even for minor troubles such as a painful leg or stomach upset. It costs slightly more than going to the surgery, but t’inquiète pas, you’ll be reimbursed. Just don't lose your insurance card. Read more... |
Lingui: The Sacred Bonds review - female love finds a wayMonday, 07 February 2022
“Lingui” is the Chadian word for “sacred bonds, the common thread”, a social ideal put to the test here by an illegal abortion. Read more... |
Parallel Mothers review - letting the dead speakFriday, 04 February 2022
Almodóvar has rarely returned to the petrified Spain of his youth, flinging off Franco’s oppression by ignoring it in his early films of freewheeling provocation, where anarchic, hot freedom was all of the law. In this sober tale of secrets and lies, though, his nation’s past is literally dug up. Read more... |
The Eyes of Tammy Faye review - Jessica Chastain pulls out all the stopsFriday, 04 February 2022
US televangelists Tammy Faye and Jim Bakker’s rise and spectacular fall from grace in the Seventies and Eighties has already been covered in a documentary film of the same name, released in 2000 with a voice-over by RuPaul. Read more... |
Belfast review - coming of age amid the terror of the TroublesTuesday, 01 February 2022
For all his achievements as actor and director, Kenneth Branagh isn’t immediately thought of as a screenwriter, despite his multiple Shakespeare adaptations. That may all change with Belfast, because Branagh’s deeply personal account (he’s both writer and director) of a Northern Irish childhood in the early days of the Troubles has a little touch of magic about it. Read more... |
Long Promised Road review - another attempt to probe the fragile genius of Brian WilsonSaturday, 22 January 2022
There has been no shortage of documentaries about king Beach Boy Brian Wilson, not to mention the 2014 bio-drama Love & Mercy, so the purpose of this new effort by director Brent Wilson (no relation) isn’t altogether clear. Read more... |
Nightmare Alley review - a dazzling trip through a heart of darknessFriday, 21 January 2022
Director Guillermo del Toro has described Nightmare Alley as “a straight, really dark story”, lacking the supernatural elements in his previous films such as Crimson Peak and The Shape of Water. Nonetheless, Nightmare Alley still feels like a spectral visitation from a weird and menacing dimension. Read more... |
Memory Box review - exquisitely made drama set in LebanonFriday, 21 January 2022
Memory Box is that rare thing, a glimpse into a lost world from its traumatised inhabitants. Made by the Lebanese artist-filmmakers, Joana Hadjithomas and Khalil Joreige (a husband and wife team), it’s an intergenerational drama split between Beirut during the Eighties (the height of the Lebanese Civil War) and present day Canada. Read more... |
Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville ChamberlainTuesday, 18 January 2022
The name of Neville Chamberlain and the term “appeasement” have become indelibly linked, thanks to his efforts to accommodate Adolf Hitler’s bellicose ambitions in the run-up to what became World War Two. Read more... |
Don't Look Up, Netflix review - hitting most targets in high styleThursday, 13 January 2022
Most dystopian satires are located in a nightmarish future, but their scripts build on the worst of our world today. Adam McKay's Don’t Look Up is different: this is now, and the notion of a comet hurtling towards the assured destruction of planet Earth is the hub for a heaping-up and jamming-together of how media and government respond to the worst imaginable crisis. Read more... |
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