Classical Reviews
Cabell, RPO, Dutoit, Royal Festival HallThursday, 13 February 2014
This was the first of three Royal Festival Hall concerts during the first half of 2014 from the Royal Philharmonic Orchestra and its principal conductor Charles Dutoit, all three programmes consisting entirely of French music. The other two will be in May. In between the Swiss-born conductor, a sprightly 77-year-old, will have picked up a Lifetime Achievement gong at the International Classical Music Awards in Warsaw. Read more... |
Theodora, The English Concert, Bicket, Barbican HallSunday, 09 February 2014
The Barbican’s ongoing season of baroque operas and oratorios has been a mixed bag. Most recently The Sixteen’s Jephtha was a rather lacklustre affair, leaving me nervous of committing to the many hours of Handel’s beautiful (but protracted) Theodora. But I needn’t have worried. Read more... |
Pires, Scottish Chamber Orchestra, Ticciati, Usher Hall, EdinburghFriday, 07 February 2014
This is more an excuse for celebration than a review. Six years after the Scottish Chamber Orchestra was founded in 1974 – the birth year we were marking last night – I rolled up in a foggy Edinburgh one February day and chose it as my alma mater on the strength especially of one concert which showed what musical life in the city might be like: trumpeter John Wilbraham playing Bach and Handel with the SCO under Roderick Brydon. Read more... |
Schwanewilms, Hallé, Stenz, Bridgewater Hall, ManchesterThursday, 06 February 2014
“How tired we are of travelling,” the soprano sings, underscored by a solo horn. The end is near: “Is this perhaps death?” No fuss, no drama, but weariness and a calm acceptance. Since Strauss and his wife Pauline were in their eighties and living quietly in Switzerland when he wrote Four Last Songs, it is clear that they had come to terms with their inevitable demise. Read more... |
Petite Messe Solennelle, BBC Singers, Brough, Milton CourtWednesday, 05 February 2014
“A little skill, a little heart, that’s all,” wrote the 70-year-old Rossini as epigraph to his late, not so small and not always solemn mass. It’s not all, of course. This last major self-styled “sin of old age” (péché de vieillesse) stands in a similar relation to his final, epic opera Guillaume Tell as Verdi’s Falstaff does to his Don Carlos. Read more... |
Vengerov, LSO, Pappano, BarbicanMonday, 03 February 2014
An all-British programme – with plenty of Italian flavours – opened to a sold-out Barbican Hall with the overture In the South (Alassio), composed by Elgar during a stay on the Italian Riviera. It isn’t one of his most memorable scores, but it still provides plenty of interest with typical Elgarian exuberance, an unexpected martial episode (imagining the Roman army), and a muted viola solo. Read more... |
Scholl, Academy Of Ancient Music, BarbicanSaturday, 01 February 2014
As a generalist (or dilettante) who writes about world, jazz, pop and classical music, I have no doubt that 10 years ago Andreas Scholl was one of the great voices of the planet alongside names like Abida Parveen from Pakistan and Caetano Veloso from Brazil, a vocal Sun King. From an early age he had had success upon success, audiences gave him huge standing ovations, women swooned over him (OK – slightly older women like my mum, who followed him around Europe). Read more... |
Classical CDs Weekly: Roxanna Panufnik, Penderecki, eXSaturday, 01 February 2014
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Jansen, LSO, Pappano, BarbicanFriday, 31 January 2014
There were, it seemed, enough trumpets to serve Gabriel throughout eternity - and, as fanfares go, this one was stretching a point and then some. Read more... |
Classical CDs Weekly: Delius, Hindemith, Holst, Claudia CoronaSaturday, 25 January 2014
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Holst: The Hymn of Jesus, Delius: Sea Drift, Cynara Roderick Williams (baritone), Hallé Choir, Hallé Youth Choir, Hallé Orchestra/Sir Mark Elder (Hallé)Pages
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