Edward Seckerson
Bio
Edward is a writer and broadcaster. A one-time actor and musician, he is currently Chief Classical Music Critic for the Independent. He wrote and presented the long-running BBC Radio 3 series Stage and Screen and has been on Gramophone magazine's reviewing panel for many years.
Articles By Edward Seckerson
latest in today
Purcell's Playhouse, Bevan, Barokksolistene, Eike, Purc...
“What about the communication with the audience?” asked violinist and impresario Bjarte Eike in his First Person piece for theartsdesk...
Bronwyn Adcock: Currowan review - a fire foretold, a warning...
In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires...
Igor Levit, Wigmore Hall review - titanic talent shows his l...
It probably tells you all you need to know about Igor Levit that when a mobile phone pinged just before his encore, he neither ignored it, nor...
Marina Abramović: Gates and Portals, Modern Art Oxford and P...
I have powerful memories of performances by Marina Abramović. Back in 1977 at Documenta in Kassel,...
Aida, Royal Opera review - dour but disciplined
No gods, ancient Egyptian or otherwise; no sinister priest along the lines of Russia’s antichrist Patriarch Kiriil, sending soldiers to their...
The Big Moon, Oran Mor, Glasgow review - partying prevails d...
Presumably before setting out on their current tour the Big Moon smashed a few mirrors, walked under some ladders and crossed the paths of...
Album: Lambchop - The Bible
Lambchop’s 1997 breakthrough album took its title from Michael Jackson’s Thriller. Borrowing The Bible is a more purposefully...
Gurrelieder, LPO, Gardner, RFH review - everything in place,...
Schoenberg’s “Song of the Wood Dove” takes up a mere 11 of the 100 minutes of his epic Gurrelieder, though it’s a crucial narrative of...
Music Reissues Weekly: Bill Nelson's Red Noise - Art /...
The British music weeklies were clear about where the Sound-On-Sound LP and its singles fitted into the current musical topography when...