Classical Interviews
10 Questions for Cellist Raphael WallfischMonday, 13 May 2019
Cellist Raphael Wallfisch thinks outside of the box. His concert repertoire spans the popular concerto choices – the Elgar, the Dvořák – but he doesn’t stop there, and makes a point of seeking out the lesser-known and the little-heard. Read more... |
10 Questions for Musician Will GregorySaturday, 04 May 2019
Will Gregory (b.1959) is best known as one half of the alt-pop duo Goldfrapp but has a long career in music that dips into many areas. Throughout the 1980s and 1990s he was a working musician who toured with multiple bands, notably, Tears for Fears, as well as playing on sessions for albums by artists ranging from The Cure to Portishead. Read more... |
theartsdesk Q&A: concert pianist Lucy ParhamThursday, 03 January 2019
"The opportunities in standard concert formats are fewer than they were. You have to be versatile and look at different ways to bring this rich canvas of music to your audience," says pianist Lucy Parham. Read more... |
theartsdesk Q&A: guitarist Sean ShibeTuesday, 02 October 2018
First it was the soft acoustic guitar playing, which on three occasions to three very different audiences won a silence so intense it was almost deafening. Read more... |
Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interviewSaturday, 26 May 2018
Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases. Read more... |
Violinist Eldbjørg Hemsing: 'in the moments when magic happens, you think, that's why we do this'Saturday, 28 April 2018
In a classical recording industry seemingly obsessed with marketing beautiful young female violinists, but very often presenting them in repertoire to which most of them seem to have little individual to add, how do you make your mark? Read more... |
Robin Ticciati on conducting Brahms: 'trying to understand the man through his music'Monday, 09 April 2018
Edinburgh, October 2015. Robin Ticciati is still flying high from a remarkable performance of Brahms's First Symphony, the start of an intended cycle with his Scottish Chamber Orchestra in his seventh season as principal conductor. Read more... |
theartsdesk Q&A: Composer, chansonnier and conductor HK Gruber at 75Thursday, 04 January 2018
You haven't lived until you've witnessed Viennese maverick H(einz) K(arl) Gruber – 75 today (3 January, publication day) – speech-singing, conducting and kazooing his way through his self-styled "pandemonium" Frankenstein!!. Read more... |
Santtu-Matias Rouvali on conducting in Gothenburg - 'they just want to make music. No bullshit'Sunday, 01 October 2017
Sweden's ackowledged "National Orchestra", the Gothenburg Symphony, left its Chief Conductor post unfilled for four seasons, but now it's finally certain to have let the right one in. Read more... |
Robin Ticciati on conducting Mozart - 'I wanted to create a revolution in the minds of the players'Wednesday, 26 July 2017
When Glyndebourne's Music Director Robin Ticciati conducts the Orchestra of the Age of Enlightenment in the new production of Mozart's La clemenza di Tito starting tonight, you can be sure that it will sound utterly fresh, startling even. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
inside classical music
latest in today
Bauhaus 100, BBC Four review - a well-made film about the ma...
The Bauhaus school and its subsequent influence make an extraordinary story, and...
Pain and Glory review - masterful meditation on age and art
The Almodovar who made his name as an all-out provocateur in the 80s considers that wild art’s becalmed far side...
The Doctor, Almeida Theatre review - Robert Icke's long...
After six years, associate director Robert Icke bids farewell to the...
CD: Gard Nilssen Acoustic Unity - To Whom Buys a Record
To Whom Buys a Record roams through 12 crisply recorded pieces confirming that...
Heartbreak Holiday, BBC One review - can it match up to Love...
The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island...
Train Your Baby Like A Dog, Channel 4 review - an animal beh...
Animal behaviourist Jo-Rosie Haffenden, who lives in Spain, has some very good dogs (and a charming toddler, who knows how to sit). Can she...
Prom 43: Haefliger, BBCSO & Chorus, Oramo review – the f...
Time was, not long ago, when the very word “premiere” was enough to ensure a sizeable smattering of red plush holes in the Royal Albert Hall...
The Day Mountbatten Died, BBC Two review - the IRA's au...
It was a lovely summer’s day in southern England, much as it was in County Sligo. I was with my parents, driving to visit a very elderly relative...
Making new waves: Royce Vavrek on forging a libretto from La...
It was during the 1997 Golden Globe Awards telecast that I first caught a glimpse of the...