sun 12/10/2025

Classical Interviews

theartsdesk Q&A: composer Donghoon Shin on his new concerto for pianist Seong-Jin Cho

Rachel Halliburton

Donghoon Shin has a taste for the esoteric – a love of labyrinths, literary puzzles, and contradictory aspects of the self. One of his favourite authors is the Argentinian essayist and short-story writer, Jorge Luis Borges, whose perspective flipping explorations often feel like the verbal equivalent of art by Escher.

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Interview: Quinteto Astor Piazzolla on playing in London and why Mick Jagger's a fan

Rachel Halliburton

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered tango,” Astor Piazzolla once declared. “They have it backward. They should look at me as the saviour of tango. I performed plastic surgery on it.”

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theartsdesk Q&A: young pianist Ignas Maknickas on appearing at the Roman River Festival and beyond

Rachel Halliburton

The high level of entries for this year’s Leeds Piano Competition – 366, almost twice the number who entered in 2018 – is just one reminder that any young pianist wanting to make their name today is negotiating shark-infested waters. Technical excellence is a given – if you want to make a living, you need to have something extra to win the support of concert halls and critics.

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theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music

Bernard Hughes

Dalia Stasevska is a persuasive advocate for new music, as presented on her new album Dalia’s Mixtape. She combines a puppyish enthusiasm with a salesman’s eloquence – beneath which sits a steely self-confidence in her own artistic vision. The Mixtape is a collaboration between Stasevska, the BBC Symphony Orchestra (of which she is Principal Guest Conductor) and Platoon, an artist-led label that is part of the Apple Music family.

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theartsdesk Q&A: violinist Braimah and cellist Sheku Kanneh-Mason, guitarist Plínio Fernandes, on their two Fantasia Proms

David Nice

It seems like only yesterday – the date in fact was 22 December 2016 – that 17-year-old Sheku Kanneh-Mason, fresh from his win as BBC Young Musician of the Year, played the Haydn C major Cello Concerto in a Pimlico church with a group of young players known collectively as the Fantasia Orchestra and conducted by Tom Fetherstonhaugh (Sibelius’s Second Symphony followed).

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Composer and conductor Carl Davis, 1936-2023

graham Rickson

May 2021 should have seen the appearance on Netflix of a new restoration of Abel Gance’s silent epic Napoleon, lasting nearly seven hours and timed to coincide with the 200th anniversary of Napoleon’s death. The release was delayed, but, in anticipation, theartsdesk spoke to the composer and conductor Carl Davis, who has died aged 86.

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theartsdesk Q&A: Abel Selaocoe

Tim Cumming

South-African cellist Abel Selaocoe is about to begin his third major concert in London in under a year. As the support artist for kora player Ballake Sissoko and cellist Vincent Segal at the Roundhouse in January, he received a lengthy ovation for his 30 minute set, having demonstrated an uncanny ability to play the audience as dexterously as he plays his cello.

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theartsdesk Q&A: Horn player Sarah Willis on returning to Cuba

graham Rickson

Berlin Philharmonic Horn player Sarah Willis’s Mozart y Mambo caused a stir in 2020, its mixture of Mozart and traditional Cuban music making it a bestselling crossover disc.

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theartsdesk Q&A: conductor Klaus Mäkelä

David Nice

Let the facts – and the music-making you can see and hear online – speak for themselves first.

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theartsdesk Q&A: horn player Sarah Willis

graham Rickson

Horn player Sarah Willis joined the Berlin Philharmonic in 2001. She juggles her position with spells of teaching, interviewing soloists and conductors for the Berlin Philharmonic's Digital Concert Hall and hosting an online series of Horn Hangouts, interviews with musicians streamed live on her website and archived on YouTube.

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